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Series comprises committee reports and minutes, correspondence, monthly bulletins of the gallery, exhibition notices, lists of donors, and accessions lists.

Series comprises photocopies of correspondence between Mrs Frank Cooper and the Art Gallery of Toronto regarding the purchase by J.S. McLean of the painting Round Lake, Mud Bay (1915) by Tom Thomson.

Series comprises photographs of artworks by Hundertwasser, Emily Carr and Raymond Mason, with a booklet on Hundertwasser and an envelope (sender: J. Plaskett).

Series comprises correspondence, receipts, invoices, floor plans, photographs and lists of artworks related to acquiring, exhibiting, maintaining and lending works from the J.S. McLean Collection (at the McLean residence and the offices of Canada Packers), along with art gallery notices, exhibition catalogues, booklets on art subjects and newspaper clippings. Correspondents include Lawren Harris, A.J. Casson, A.Y. Jackson, Paraskeva Clark, Carl Schaefer, Leonard Brooks, Joe Plaskett and Ada Carmichael (wife of Franklin Carmichael).

Series contains photographs and negatives relating to the personal and private life of L.A.C. Panton. Material includes photographs of family and friends, photographs of his paintings, and photographs on which he based his paintings. The photographs have been arranged by subject matter and size. Very few of the photographs have been labeled or dated.

Series contains posthumous and other material that does not fit into Panton’s file categories. Files relate to exhibitions of his work, including posthumous exhibitions, personal material including party invitations and home-made Christmas cards, qualifications certificates relating to his teaching career and his RCA induction certificate, obituaries and other material collected around the time of his death, his passport, four small caricatures, and the layout for an unpublished book.

Series contains published and unpublished material relating to Panton’s personal and professional life, including correspondence, clippings, lectures, notes, reproductions and photocopies. Correspondence relating to his tenure as President of the Ontario Society of Artists is included, during the controversy involving the secession of the Group of Seven and other matters. Among the papers was a list with file designations (see file 1). The first series follows this arrangement.

Series consists of comprised of correspondence with individuals and institutions documenting the Zacks arts-related philanthropic activities in Israel. Enclosures such as minutes of meetings are often included. The files have been grouped together by institution, with single files at the end.

Series consists of printed material and correspondence relating to the Zacks’ membership on various boards. Included are agendas, minutes of meetings, reports and other enclosures sent to members, documents received from architects, accountants and other professionals, newsletters and annual reports. The series has been grouped by institution and is arranged chronologically within each group.

Series consists of correspondence with institutions, notes of thanks for personal tours, documentation relating to the loan of works including customs, shipping and insurance forms, texts of catalogue essays, lists of invitees to openings, corrected catalogue proofs, press clippings and telegrams.