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Series consists primarily of items of clothing designed or decorated by Robert Markle. Includes a denim suit embroidered by Markle; 3 sports t-shirts and 2 baseball caps designed by the artist for the UIC Flyers; 1 t-shirt with painted design by Robert Markle; a baseball cap with “Red Man” tobacco logo; and a baseball cap with painted design of a nude woman. Series also includes a ripstop nylon banner designed by Robert Markle and sewn by Marlene Markle.

Series consists of Tim Zuck’s personal and professional correspondence and includes letters, postcards, e-mails, faxes, notes, photographs and slides of other artists’ work, exhibition notices, and artist CVs. Filed according to name of correspondent.

Series consists of Robert Markle’s “Letters” files of correspondence received, which were filed chronologically by Markle. Series also includes some correspondence files assembled by the archivist. File titles have been taken from Markle’s file labels, except for those in square brackets, which have been supplied by the archivist.

Series consists of personal and professional correspondence received by Greg Curnoe, with copies of some letters sent. Material has been filed chronologically by the creator.

Series consists of correspondence with Avrom Isaacs, a photocopied typescript of "Out of the Park: Modernist Painting in Toronto 1950-1980" by Barrie Hale, and Dennis Burton’s curriculum vitae.

Series comprises correspondence regarding the business affairs of the Pollock Gallery and other art-related matters between 1962 and 1982, including business (and some personal) correspondence to Jack Pollock; a file of letters notifying clients, artists and others of the impending closure of the gallery in 1981; and other correspondence.

Series consists of correspondence between the Baldwin Street Gallery and photographers, curators, other galleries, as well as some personal letters received and sent by Laura Jones and John Phillips.

Series comprises files of general correspondence received at Gallery Moos in Toronto over a period of more than thirty years from 1959 to 1993. The materials were received by the AGO from Gallery Moos in 2004 and 2012. The 2012 accrual comprises copies of letters sent from Walter Moos, gallery director Gerard Jennings and other gallery staff as well as letters received from clients, other dealers and galleries chiefly regarding purchases of artwork, requests to publish or exhibit works by gallery artists.

Series comprises Arthur Lismer’s correspondence, chiefly between the 1920s to 1950s, with officials at the National Gallery of Canada (Ottawa); the Children’s Art Centre at the Art Gallery of Toronto; Charles S. Band, president of the Art Gallery of Toronto; with miscellaneous active (unsent) and passive correspondence; and typed transcripts of some handwritten letters.