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Series comprises analog and digital trial proofs of photographs by Suzy Lake, used by the artist to refine and correct aspects of hue, saturation and brightness.

Series comprises files kept by Gallery Moos on other galleries (public and private), art dealers, auction houses and associated art organizations, typically containing correspondence, lists of works of art, invoices and receipts. Files are arranged alphabetically. .

Series is comprised of correspondence sent to and from Robert Fones over the past 55 years, the bulk of which consists of personal letters and correspondence art received by Robert Fones from 1969 to 1975 from artists and writers from Vancouver, from the San Francisco Bay area, New York, Toronto and southwestern Ontario. It includes correspondence art and zines (consisting of a mixture of collages, manipulated photographs, stamps, letters, drawings, visual poetry, recycled images often mimeographed or photocopied) from artists such as Victor Coleman (aka Mr. Peanut), Michael Morris (aka Marcel Dot), Anna Banana, Dr. and Lady Brute, Michael Binder (aka Cloud), General Idea, Hank Bull, Chicken Bank, Daddaland, and others. It also includes correspondence from poets and writers such as Michael Ondaatje and Christopher Dewdney.

Series is comprised of the business and professional files of Robert Fones. It includes grant applications, awards, income tax returns, and documents relating to the sales and exhibition of his work as well as the publication of his writing. Of note is 21 years of correspondence with Carmen Lamanna, Robert Fones’ first Toronto art dealer from 1970 to 1990, and with S.L Simpson Gallery, which subsequently represented Robert Fones. It also includes correspondence and agreements with regard to his art related teaching career.

Series is comprised of materials and models relating to the production of specific works of art from 1973 to 2011. The production files include stencils and tracings, drawings, sketches, technical measurements and specifications, sample materials, photographs, correspondence, documentation and research notes. This series includes models for Backyards, Owen Jones, Gordon’s Block, Iron Bridge, Counties 1 and Counties 2. It also includes two sets of alphabets: a copper set used in the Niche paintings and Leviathan Letters crafted out of clay, and the Stomachion Puzzle from What the Locals Make. Dates and file titles supplied by the artist unless otherwise indicated.

Series is comprised of the sketchbooks used and kept by Robert Fones. The volumes primarily contain sketches and drawings, often related to specific artworks, design projects or artist book works. Some of the sketchbooks, as noted in the descriptions, contain finished drawings that the artist has chosen to leave intact within the sketchbooks. The sketchbooks may also contain some diaristic writings, personal reflections and technical notes, thus there is some overlap with the journals especially in earlier volumes. Also included in this series are several colour mixing books used by Robert Fones, which consist of colour mixing formulas for several of his artworks, as noted in the descriptions.