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Series comprises of interviews with Paterson Ewen and others assembled in support of research for the 1996 exhibition Paterson Ewen: Earthly Weathers/Heavenly Skies.

Series consists of audio cassettes recorded by Greg Curnoe.

Series consists of records relating to Robert Markle’s participation in the creation of and teaching at the independent visual arts school “Arts’ Sake” in Toronto. Records include notes on curriculum and on the concept of the school, and promotional material. Series also includes Markle’s notes on the New School of Art, ca. 1977.

Series comprises of Artistamp correspondence and samples of mail art between Michael Bidner and other artists around the world. Compiled alphabetically by artist name, materials have been organized by Bidner into ten binders as well as loose paper files. These records were organized by Bidner as a file system for each mail-artist which included contact information, biographical and professional background, correspondence, and stamp art (original or photocopy versions). Files usually include a copy of a typed letter Bidner sent to each artist outlining his Artistamp catalogue project and call for submission. These materials also include published articles, newspaper clippings, postcards, flyers, and a small number of slides.

Series consists of a group of palettes gathered from the artist’s studio following his death.

Series comprises records related to published books of illustrated verse by Florence Vale

Series comprises files of materials on artists whose works were exhibited by the Pollock Gallery in the 1960s and 1970s, together with artists who were applying to the Pollock Gallery for representation, and others. The files include photographs of paintings, prints and sculpture; artist biographies; chronologies of exhibitions; exhibition announcements; newspaper reviews, miscellaneous photocopied materials, and related items. Further records of artists associated with the Pollock Gallery will be found in series 4, 6 and 7.

Series comprises files kept by Gallery Moos on the gallery’s artists, chiefly containing correspondence, brief biographies, lists of art works, and press clippings; files are arranged alphabetically. Series also includes records of the Gershon Iskowitz Foundation.

Series contains correspondence with artists, art dealers and institutions, invoices, shipping and customs documents, loan and reproduction forms. The arrangement is alphabetical by artist name.||