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Series comprises some of Arthur Lismer’s collection of materials on teaching art to children; memorabilia from his membership in the Arts and Letters Club in Toronto including some pen sketches; offprints of articles by his friend Marius Barbeau; a published book in which Lismer drew sketches; and a commonplace book once apparently belonging to Canadian artist Charles MacDonald Manly.

Series comprises photographs of Arthur Lismer's friend and fellow painter Tom Thomson (1877-1917) and places where they sketched landscapes together; clippings from the 1940s and '50s about Thomson; and some Thomson ephemera.

Series comprises a source book on Arthur Lismer written by his daughter Marjorie Lismer Bridges and screenplay materials for a National Film Board of Canada production on Lismer’s work.

Series comprises manuscripts of a synopsis of a projected art textbook and notes and essays on art subjects by Arthur Lismer; with copies of other writings about art education.

Series comprises lists of Arthur Lismer’s paintings exhibited in commercial galleries in Canada in the 1930s to 1950s, and the Art Gallery of Toronto Lismer retrospective of 1950; with correspondence regarding a planned exhibition of the work of British art students in 1922, a show of Lismer’s paintings in the Eaton’s department store in Toronto in 1946, and the 1950 Lismer retrospective.

Series comprises Arthur Lismer’s correspondence, chiefly between the 1920s to 1950s, with officials at the National Gallery of Canada (Ottawa); the Children’s Art Centre at the Art Gallery of Toronto; Charles S. Band, president of the Art Gallery of Toronto; with miscellaneous active (unsent) and passive correspondence; and typed transcripts of some handwritten letters.

Series comprises correspondence of Canadian painter Mary Wrinch Reid (Kirby-le-Soken, England 1877–1969 Toronto), with lists of exhibitions and paintings and biographical information, photographs of the artist, a watercolour and other material.

Series comprises an undated photograph of Canadian portrait painter (Sir Edmund) Wyly Grier (Melbourne, Australia 1862–1957 Toronto) and others in Egypt, probably in the 1920s.

Series comprises a photo of Canadian painter Mary Hiester Reid (Reading, Pa. 1854–1921 Toronto), with installation shots of the 1922 memorial exhibition of her paintings at the Art Gallery of Toronto, and a photo of an oil portrait of her by her husband George Agnew Reid.

Series comprises photos of Canadian painter George Agnew Reid (Wingham, Ont. 1860–1947 Toronto) and his paintings; correspondence with Helen Kemp Frye; lists of paintings; an essay by the artist and a programme for the 150th anniversary (1957) of Jarvis Collegiate Institute, Toronto.