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Series comprises a sketchbook belonging to Arthur George Marx, Suzy Lake’s grandfather, who took art courses at the Detroit Institute of Arts. Sketchbook contains graphite and charcoal drawings, and notes on art classes.

Series is comprised of materials and models relating to the production of specific works of art from 1973 to 2011. The production files include stencils and tracings, drawings, sketches, technical measurements and specifications, sample materials, photographs, correspondence, documentation and research notes. This series includes models for Backyards, Owen Jones, Gordon’s Block, Iron Bridge, Counties 1 and Counties 2. It also includes two sets of alphabets: a copper set used in the Niche paintings and Leviathan Letters crafted out of clay, and the Stomachion Puzzle from What the Locals Make. Dates and file titles supplied by the artist unless otherwise indicated.

Series comprises committee reports and minutes, correspondence, monthly bulletins of the gallery, exhibition notices, lists of donors, and accessions lists.

Series comprises files on Gallery Moos’ participation in the Los Angeles and Chicago art fairs, containing correspondence, lists of art works, and art fair literature

Series consists of art ephemera collected by Tim Zuck and not directly connected to his work at art college.

Series consists of work originating from and around the “Projects Class” at the Nova Scotia College of Art and Design, and similar activity at the California Institute of the Arts, during Tim Zuck’s association with these institutions. It includes the art films “Elevator”, “Halifax”, and “A Walk on a Frozen Lake”, audio tapes, photographs, and documentation for performance works by Tim Zuck. The series also contains conceptual artworks done by fellow student Richards Jarden, and descriptions of works done by others in the class. A sequence of files pertaining to group exhibitions in the early 1970’s are also included, in addition to art projects done by students at the California Institute of the Arts.

Series comprises records of the management of the Pollock Gallery during various periods of its activity
between 1967 and 1982, including records of transactions with clients and other art galleries; financial
records; files on works of art consigned to the gallery for exhibition and sale by artists, or for resale by
collectors; records of consignment of works to rental services of art museums; accounting for art gallery
purchases from art dealers and artists; and related material.

Series is comprised of material pertaining to the operations and management of Baldwin Street Gallery, including newsletters and flyers, the sale of photographic equipment, publicity and press materials, grant applications, teaching courses and workshops, and research materials for projects undertaken by members of the Gallery examining sexism in the photography industry and promoting the work of historical and contemporary women photographers.