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Correspondence relating to sales of Barbara Hepworth, Hubert Dalwood and quotes regarding a number of artists including Moore, Picasso, and others; personal relationships evolving from business.

File contains correspondence from: Susan Ellis (ca.1972-1973), Judy Loptson (ca.1970-1973), Karn Crocker (ca.1970-1974), Kathy Dewhurst (ca.1970), Lisa (ca. 1970-1971).

Item is a questionnaire sent by the Art Gallery of Ontario in connection with the Toronto Painting '84 exhibition, with the artist's responses.

Correspondences, including letters of help and encouragement; invoices.

Glass manufacturer brochures and information packages.

File consists of an experimental collage made of pieces of negative transparencies that have been cut into various shapes and pressed between two pieces of glass, used as a sample in Astman's teaching. Astman sourced the materials for this sample by taking discarded pieces of large-format negatives from students' work, shaping them and placing them together between glass to create a collage. This piece was shown to students as an example of a work that can be created using materials that might otherwise have been discarded.

File consists of an etching of an abstract rose-like shape on a piece of thick glass, used in Astman's teaching. The work was created by Astman using masking tape and matte medium to cover parts of the glass before it was sandblasted, creating the etching. This work was one of numerous samples used by Astman to teach students about negatives and the variety of materials that can be used to create artworks.

Invoice and customs form; correspondence relating to loan to the Guggenheim.

Correspondence regarding a donation to the Glenbow Museum in Calgary.