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File consists of approximately 95 loose pages of textual records and graphic material, and 1 stapled catalogue booklet. Materials mainly concern Favro’s works and projects from the 1990s. Also includes colour and B&W print-outs of Favro's works, mainly installation pieces, possibly photocopied from a published catalogue. Also included are notes, sketches, and installation instructions pertaining to "Railway Tracks (1995-1996)," a printed email from Don Wherry to A. Pratten about the lineup for the 1996 Sound Symposium, a draft from 1971 of Favro's writings on "Mechanology," a copy of a published Spanish-language catalogue titled "Casa de las Americas" from 1988, a photocopy of a French-language biographical sketch from 1973, a photocopy of a magazine article about Favro in English and French from 1995, printed information on the Forest City Gallery, including its mission statement, and a colour printout of "Snow on Steps (1994)."

File consists of approximately 30 pages of textual records. Included are 13 pages of hand-drawn circuitry diagrams and notes for a "Digital Identification Unit (DIU)." There are also approximately 14 pages of handwritten notes covering a variety of Favro's thoughts and ideas, including those about technical progression, knowledge and intelligence, patents, and more. There is also a legend of symbols concerning "Wing sections and characteristics." Lastly, also included is a letter from Alvin Balkind, AGO Curator of Contemporary Art, to Favro, dated 8 August 1973 regarding a possible acquisition, a handwritten draft of Favro’s reply, and 1 page of questions for a patent attorney.

File consists of approximately 18 pages of correspondence relating to Nihilist Spasm Band’s Japanese tour in 1996. There are 3 pages of correspondence from Alchemy Records from 1995, and 7 pages of duplicates. There are also two pages of correspondence from Forest City Gallery regarding the 1996 Japan tour, and 4 pages of duplicates.

File consists of textual records that mainly relate to Favro's work and exhibitions from the 1960s and 70s. Includes an invitation to a show opening at La Galerie de France from 1969, 3 copies of an invitation to a joint exhibition for Favro and Ron Martin, and an invitation to a Favro exhibition at the Carmen Lamanna Gallery. Also included is a print-out of an article titled, “The Emergence of Modern Art” by Rudolf Nadassky, a receipt from 1971 from the City of London, Ontario for an instructor's fee, a pamphlet from the London Public Library and Art Museum for 1964-65, a postcard of a work of art titled "For Martin," and a collage-style card from the Carmen Lamanna Gallery staff to Favro. Lastly, there are six pages of professional correspondence spanning the 1960s-1990s.

File consists textual records mainly relating to film and photography. The contents of the file are wrapped in a Film House informational booklet cover, which Favro has handwritten notes on. The file includes approximately 10 sheets listing film, print, and equipment prices at Film House, Toronto, 2 photocopies of pages of camera film prices, a 2000-2001 Program from a Panamarenko installation at the Dia Center for the Arts, New York, a 1973 letter to Favro from DSC Limited regarding slides storage, 12 sheets of 1973 Film House price lists, and a 2002 flyer from Oakville Galleries for the exhibition “Construction Compulsion: Reconfiguring the Permanent Collection” featuring an image of Favro's work "Railway Tracks, 1996-96."

File consists of textual records pertaining mainly to Favro’s activities between 1970-1975, and especially regarding flight and aircrafts. Includes a letter from Carmen Lamanna to Dr. Manfred Schneckenburger regarding "Projekt '74," a letter from Favro to the Experimental Aircraft Association, and a letter from the Auckland City Art Gallery, New Zealand. It also includes a printed 30-page article titled, “A Computer-Based Alternative for Scientific and Technical Publishing,” a 1974 invitation to an exhibition opening featuring Favro's work at the Gallery of the London Public Library and Art Museum, and approximately 20 pages of notes and sketches from 1971-72 detailing possible projects and ideas for a project titled "Flight" and a number of other undefined projects.

File consists of textual records relating to Favro’s work, activities and interests, spanning a range of decades. Included is a driver's report of a vehicle accident, a Vehicle/Equipment Daily Work Ticket from Signal Regiment Training from 1962, 6 copies of an advertisement for the Nihilist Spasm Band performance at The Black Swan, a Canadian Motorcycle Association 1967 calendar of events, a Department of National Defence envelope containing a student militia training timetable, a Royal Canadian Signals menu, a letter to Favro from a commanding officer, and an Annual Range Classification sheet from 1961. Also includes a blank entry form for the Mosport Indian Summer Trophy Races, an advertisement for an exhibition at the McIntosh Memorial Gallery, 2 postcards for a Royden Rabinowitch exhibit at the Carmen Lamanna Gallery, a handwritten note regarding rolls of film to be developed, an undefined form concerning the Nihilist Spasm Band, correspondence from Carmen Lamanna, a 1992 contract between Favro and Bell Canada regarding a sculpture for the Canniff Switching Centre, a letter from the University of Calgary concerning a presentation to be given by Favro, a photocopy of a newspaper clipping of a 1989 article titled "McMaster art collection on view," a 1959 letter from Parker's Bread regarding summer employment, and a number of other pages of professional correspondence. Also included is an envelope from the Taxation Data Centre containing T4 receipts and a blank tax return form. Further, there is also a list of results from a 1967 motorcycle race, a note regarding an upcoming High School Art Workshop visit to Favro's studio, a 1963 Signal Regiment Annual Range Classification, and a sketch or diagram of an undefined object, possibly an aircraft.

File consists of largely undated textual and graphic materials, mainly comprised of Favro's handwritten notes and sketches. A number of sketches depict or are related to aircrafts and jets, and others relate to undefined projects and ideas. A number of handwritten notes are included, which relate to potential and existing projects, Favro's thoughts on different topics, and drafts of correspondence. Also included is a 1971 letter to Favro from Dennis Young at the AGO, a map of the Paris Metro system, and a 1970 catalogue for the 2020 Gallery.

File consists of textual records and graphic material. Includes approximately 16 pages of professional and personal correspondence, largely from the 1970s, a doctor's invoice from 1971, a Motorcycle insurance certificate, a Men's Canteen membership card, an invitation to a show opening at La Galerie de France from 1969, a 1969 bulletin for the London Public Library and Art Museum, 2 copies of a program for the 1969 Biennale in France, and a photocopy of a 1971 Globe and Mail article. Also included are approximately 40 pages of handwritten notes and sketches, covering a variety of topics and projects including a description of a possible projections show, a list of Favro's exhibitions up to 1971, problems on viewing films, and possible ideas for projects. Also included is a B&W photograph a of a desk and a postcard of Ibiza, Spain.

File consists of approximately 27 pages of notes and sketches mostly relating to aircraft design. Some pages have dates between 1972-73, but many are undated. Also includes two sketches of aircraft components on tracing paper.