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File consists of graphic material relating to Astman's process and prepatory work.

File consists of minutes from meetings of members and the Executive committee and annual general meeting minutes of the Workscene Co-operative Corporation

Includes early images of artist with his work; images of artist and studio in 1980s (?) by Doron Rescheff studio; a series of portraits of the artist with a green parrot. See also oversized photo prints (box 3).

Typical file includes correspondence, design mock-ups, tests, sketches, descriptions and other documents pertaining to the design and fabrication of artworks.

File consists of textual records and graphic materials. The majority of the textual records are personal and professional correspondence spanning a range of years, including the 1970s and 1980s and amounts to approximately 40 pages. This correspondence covers a range of topics and activities, including artist talks, installations, exhibitions, grants, and the Nihilist Spasm Band. Additionally included is a postcard for an exhibition at the Forest City Gallery, a Slate Gallery Guide from 1998 with Favro's "Air Compressor and Turbine" on the cover, a matching postcard for a Favro exhibition at the LRAHM & McIntosh Gallery from 1998, an installation sketch and instructions for "Synthetic Lake," and promotional material for an exhibition titled "Track Records: Trains and Contemporary Photography" at Oakville Galleries. Also included is a sheet of paper with real-estate information about a house, a postcard for the opening of a Royden Rabinowitch exhibition at the Forest City Gallery, a photocopy of a magazine article about "The Flying Flea," meeting notes from a London Regional Art Gallery meeting, a biography and list of exhibitions up to 1977 for Favro, a blank artist questionnaire from Visual Arts Ontario, a photocopy of an article titled "Rubber - Fundamentals of its science and technology," a purchase agreement from the Carmen Lamanna Gallery, promotional material for “Engel,” a purchase order from 1973, a 2-page typed article on Favro, a photocopy of 3 versions of Van Gogh's "Bedroom in Arles," installation instructions for “Van Gogh’s Room,” an exhibition schedule, and approximately 30 pages of notes and sketches by Favro covering a variety of topics, including "Approaches in Writing and Pictures," and "History of Work Done (Evolutions)." Lastly, also included are three colour photographs of an unknown installation piece, a child in a rowboat on a lawn, an aircraft in a gallery and one B&W photograph printed on hard-backed board of an unknown artwork.

File consists of approximately 64 pages of textual records, mainly comprised of handwritten notes covering a variety of topics. The topics covered include jet engine design, turbine design and methods, synthetic photography, machinery, art and machines, surface movement in painting, reflections on his art and artistic approach, and more. Some writings have been dated to approximately 1978 and 1979. Also includes a printed page titled "Listing of Games on PET Computer," a handwritten to-do list, a copy of a letter sent from Mildred Friedman to Michael Hayden in 1973, three pages of handwritten drafts of letters, and a contact list for “Video Ring” which includes Favro as a contact.

File consists of textual records and graphic material concerning Favro’s work and projects from predominantly the late 1960s to early 1970s. It includes correspondence from Carmen Lamanna, the Agnes Etherington Art Centre at Queen’s University concerning a possible exhibition, Laurent Lamy concerning the 1973 Paris Biennale, and Alvin Balkind at the AGO concerning a reference request for a Canada Council grant. Also included is a page discussing the increasing size of Favro’s art dealer’s signature, a fundraising poster for the Nihilist Spasm Band’s appearance at the Paris Biennale, and a 1971 description of the Nihilist Spasm Band’s influences, printed on Carmen Lamanna letterhead. It also includes a 1972 letter from Louise Tremblay to Carmen Lamanna, a 1968 cheque receipt from Standard Life Assurance Company, a letter from Cecile Valin at the National Gallery from 1969, a handwritten page listing expenses in London, England, a B&W photograph of a television, 2 copies of a 1980 advertisement for Favro’s “Seproject,” a list of classes at the Ontario College of Art, taught by Favro between 1973-74, as well as a letter and timetable. It also includes a number of pages of handwritten notes and sketches by Favro, including those for “Theoretical Machines,” and 2 sketches of a bicycle wheel component.

Typical file contents include correspondence, brief biographies, lists of art works, and press clippings.

Typical file contents include correspondence, brief biographies, lists of art works, and press clippings.

Typical file contents include correspondence, lists of works of art, invoices and receipts.