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Series comprises records of Jean Blodgett’s travels with the Adventure Canada company as an expert host. Files contain correspondence, travel prospectuses and related records; a journal of Blodgett’s travel to Labrador, and two photograph albums containing images of travel to Baffin Island and Greenland.

Series comprises Jean Blodgett’s research photographs of Inuit objects in museum collections in Canada, the USA, Great Britain and Europe. Photographs were originally contained in three-ring binders and have been rehoused in folders for reasons of preservation and compact storage.

Series comprises Jean Blodgett’s research and project files, starting with her graduate studies at the University of British Columbia, and including the records of independent exhibition and book projects from across her career as a curator. Notable concentrations of files include materials on the historical period of Inuit art; Kenojuak Ashevak; Jessie Oonark; Osuitok Ipeelee; and George Swinton.

Fonds consists of the personal and professional records of Jean Blodgett, including research materials such as correspondence, notes, photographs and audio recordings; records of her Arctic travel; curriculum vitae and related records; personal photographs; and two Inuit craft objects.

Collection consists of a nearly complete run of Canadian Art Magazine, including issues of Maritime Art and artscanada, 1943-2019.

Collection consists of printed ephemera and correspondence documenting the life and art of George Agnew Reid and Mary Wrinch; greeting cards featuring prints by Mary Wrinch; and drawings by George Agnew Reid.

File contains a copy of the periodical Causeway, vol. 1 no. 1, annotated with the year of publication by Dennis Burton and containing two inserted news clippings about Myer Signer's protest against censorship.

File contains correspondence from Dennis Burton to Don Gillies, including a hand-written and collaged treatise on art, photography and technology, 1971, and a photocopy of Burton's proposal for policy at the Ontario College of Art, 1971, when he was Chairman of Fine Arts.

File contains correspondence sent from Dennis Burton to Don Gillies, including gallery exhibition invitations and Burton's notes on postmodernism, 1995.

File contains two documents annotated by Dennis Burton, "The Scientific Revolution" by Herbert Butterfield (reprinted from Scientific American, September 1960); and technical literature about screen material sent to Burton by the Eastman Kodak company, 1961. File also contains a typewritten copy of "Dennis Burton's Notes on Modern Art".