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Archival description
Fonds
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Doris McCarthy-Lora Carney collection

  • LA.SC108
  • Fonds
  • [19--]-2005

Collection consists of the research files kept by Doris McCarthy and Lora Carney, including exhibition notices, press releases and invitations, photocopied articles, hand-written sheets containing references and notes, a few slides and photographs, some personal correspondence, 2 theses, and a binder of copied material relating to Ann Davis’ book on Christiane Pflug. The Rae Simone file contains 12 black & white photographs, the Carolyne Dukes file contains 10 slides, and the Marian Scott file contains a signed letter and transcript of an interview with Doris McCarthy. The files were kept for the purpose of publishing a book on Canadian women artists and cover artists from across the country from the 19th century to the early 21st century. There are files on a few male artists integrated into the sequence, added by Prof. Carney. Exhibition catalogues have been removed and integrated into the library collection. A list of these catalogues is available. A list of the original file names is also available. The collection is arranged in a single series by artists’ last names, preceded by a few geographical files, arranged by province. Files containing only one or two records have been combined by the archivist in a ‘miscellaneous’ file for each letter of the alphabet.

McCarthy, Doris (1910-2010)

Douglas Duncan fonds

  • LA.SC095
  • Fonds
  • 1921-1971

Fonds consists chiefly of correspondence to Douglas Duncan as director of the Picture Loan Society in Toronto between 1936 and 1966, and his personal correspondence with Norman Endicott and their friends in common during the 1920s. Also included are records of Canadian artist David Milne from the 1950s and British painter Robert ‘Scottie’ Wilson from about 1945 to 1970; both were clients of Douglas Duncan and friends of Norman Endicott. Fonds is comprised of the following series: 1. Picture Loan Society correspondence 2. Duncan-Endicott correspondence 3. David Milne records 4. Scottie Wilson records

Duncan, Douglas, 1902-1968

Edmund Morris fonds

  • LA.SC007
  • Fonds
  • 1897-1913

Fonds consists chiefly of correspondence to Edmund Morris as an artist and as secretary of the Canadian Art Club, Toronto (extant 1907-1915). Materials relating to the art club were received predominantly between 1906 and 1913 and deal with the membership of the club, with artworks and with art publications. Correspondents include artists Peleg Franklin Brownell, Edmond Dyonnet, Clarence Gagnon, James Kerr-Lawson, Ernest Lawson, James Wilson Morrice, Alexander Phimister Proctor, Marc-Aurèle de Foy Suzor-Côté, Horatio Walker, Homer Ransford Watson and poet Duncan Campbell Scott. Also included are letters written by Edmund Morris himself and a few received by other members of the art club. The approximately 800 items were originally in two letter-binders. Although most of the items are letters, the fonds also comprises exhibition notices, invitations, newspaper and journal articles, lists of artists and artworks, price lists, illustrations, prospectuses, lists of subscribers for memorials (etc.), invoices, as well as miscellaneous items such as visiting cards, envelopes, an abstract of land title, a telegram and a cancelled cheque.

Morris, Edmund

Elizabeth Fraser Williamson fonds

  • LA.SC082
  • Fonds
  • 1935-[199-]

The fonds consists of poetry and prose writings by Williamson; exhibition notices, press clippings and magazine articles concerning Williamson’s career; sketches and drawings related to sculpture projects; a Canada Council grant application made for an exhibition of Williamson’s work; and photographs of Williamson, her cabin, and her sculptures. Fonds consists of the following series: Poetry and prose writings Publicity material Sketches and drawings Canada Council grant application Miscellaneous personal and professional records Photographs

Williamson, Elizabeth Fraser, 1914-2000

Elke Town fonds

  • LA.SC141
  • Fonds
  • 1974-1991

Fonds documents Elke Town’s activity in the visual arts in Toronto between the years 1974 and 1991. The files are related to various positions she held, beginning with A Space in 1974, and the curatorial work she carried out at the Art Gallery of Ontario, Gallery 76 at OCAD, Art Metropole and as an independent curator. There are also files related to her writing about visual art and video for numerous publications such as C Magazine, Vanguard, Parachute and Canadian Art.

Town, Elke

Experiments in Art and Technology fonds

  • LA.SC022
  • Fonds
  • 1965-1977

Fonds consists of a set of documentation and publications assembled and distributed in multiple copies by Experiments in Art and Technology.

Klüver, Billy, 1927-2004

Factory 77 fonds

  • LA.SC097
  • Fonds
  • 1976-1999, predominant 1976-1982

Fonds consists of the administrative records of Galerie Scollard and Factory 77 accumulated by Kenneth Lund. Also includes records kept by Lund related to his involvement with arts organizations and Eastern Canada artists and galleries. Fonds is comprised of the following series: 1. Galerie Scollard/Factory 77 records 2. Kenneth Lund’s files

Lund, Kenneth

Fairlie Family Fonds

  • LA.SC131
  • Fonds
  • ca. 1894 – 1986

Fonds consists of materials created, received, or collected by members of the Fairlie family. This includes textual records, personal and professional correspondence, financial and legal documents, newspapers and articles, publications, posters and promotional material from Alan’s filmmaking career, as well as photographic material such as studio portraits, film stills, and a number of negatives depicting travel destinations and events.

Fairlie family

Florence Vale fonds

  • LA.SC110
  • Fonds
  • 1909-2006

Fonds consists of records relating to the life and work of Florence Vale. Textual materials include correspondence, records of exhibitions, and documentation of her artwork. Visual materials include photographic documentation of the artist, her family, friends, and her work; drawings, etchings, rugs, and box construction art pieces and dolls. Also includes are media materials in the form of audio reels and a videocassette.
Contains series:

  1. Documentation of Artwork
  2. Publicity Materials
  3. Correspondence
  4. Photographs
  5. Drawings and Etchings
  6. Poems by Florence Vale and Others
  7. Artist’s bookworks
  8. Audio reels of the singing and poetry readings of Florence Vale
  9. Video Documentary on Florence Vale
  10. Dolls and Box Constructions
  11. Rugs

Vale, Florence, 1909-2003

Frances Loring and Florence Wyle fonds

  • LA.SC029
  • Fonds
  • [ca. 1882]-1978, predominant 1944-1968

The fonds consists first, of papers of Frances Loring: correspondence (largely genealogical), lists of her works, a collection of short stories, articles, newspaper clippings, information about Loring’s father, Frank C. Loring, and two etching plates. Second, papers and other materials of Florence Wyle: poems, diaries, journals, articles, biographical information (including birth certificates, passport), lists (including prices and exhibitions) of her works, and various etching plates. The third part of the fonds comprises a collection of photographs of works by both artists. Lastly, the 1987 accrual to the fonds contains further biographical documentation and correspondence (relating to artworks, to the Loring and Wyle Trust Fund, to personal matters including finances, and to their estate) and an additional collection of photographs. Fonds consists of the following series: (Frances Loring) Lists of art works (Frances Loring) Biographical information Loring genealogy and historical background (Florence Wyle) Poems (Florence Wyle) Diaries, calendars and journals (Florence Wyle) Historical and biographical information (Florence Wyle) Price lists, exhibitions, catalogues, works (Florence Wyle) Articles/lectures (Florence Wyle) Miscellaneous Photographs (1983 donation) Loring & Wyle papers (1987 accrual) Loring & Wyle photographs (1987 accrual)

Loring, Frances

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