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Press and publicity

File consists of newspaper clippings, articles, and related publicity material published in approximately the 2000s, relating to Winsom's professional work and activities. Includes press material relating to the Marilyn Lastman award for excellence in art awarded to Winsom in 2002, the exhibitions A Sign of the Spirit, Iconography of Divination and For My Mother: A Visual Prayer/feast, an artist profile on Winsom, and other projects and activities.

Press and publicity

File consists of newspaper clippings, articles, and other publicity material relating to Winsom's work and activities, published in the year 2000. Includes publicity material relating to the River of Life (2000) exhibition, Draw it Black, an interview with Winsom in the Toronto Star, and other projects.

Belize press and publicity

File consists of clippings and printouts from publications relating to Winsom's exhibitions, activities, and community work in Belize. Includes material relating to I Am The Alchemist (2007), Winsom's work with the Cristo Rey Primary School, the Women in Art exhibition(s) organized by the National Institute of Culture and History (NICH), and other projects. Also includes an issue of the magazine BAFFUprinted, 2016, which features an article about an organization Winson was involved with in Belize.

Press and publicity

File consists of newspaper clippings, articles, and other publicity material relating to Winsom's work and activities in the 1990s.

Toronto Star 1988

File consists of clippings and photocopies of a 1988 Toronto Star article written by Christopher Hume titled "Black artists enter the Toronto mainstream," which includes references to Winsom's involvement in the Weapons of Culture exhibition at A Space Gallery.

Early years - press clippings and articles

File consists of newspaper clippings, articles, and related publicity material. Includes clippings regarding school workshops, arts education, and other events and projects that Winsom was involved in regarding art, activism and community organizing, among other topics. Includes records relating to Queens's University,

Scrapbook

File consists of a red-colour scrapbook made by Winsom containing press clippings, as well as some correspondence and other textual records. The press material in the scrapbook covers a variety of topics and events, which predominantly document racism and instances of discrimination in Canada and especially in the Kingston, Ontario region.

Scrapbook

File consists of a beige-colour scrapbook containing records relating to Winsom's exhibitions and projects. Primarily includes textual documents, such as correspondence, press clippings, and promotional material such as programmes and invitations. Also includes some loose records at the front of the book, including an award to Winsom from the Lansdowne Fair, press clippings, and correspondence.

Magazines featuring Winsom

File contains a 1990 issue of CRAFTS Plus, which features an article on textile dying on page 32 that Winsom contributed to, a 1998 issue of WORD magazine featuring quotes from Winsom in an article on page 20 and a reference to Winsom's exhibition "Painting up A Storm" on page 36, and the premier issue of Dream World magazine (2011?), featuring Winsom on page 7 in a section titled "Canada's Most Prominent Black Women." Also includes a page of correspondence to Winsom from the Assistant Editor at CRAFTS Plus Magazine regarding her contribution, a photocopy from WORD, and a clipping from a separate issue of WORD magazine featuring event information about Winsom's exhibitions.

Belize correspondence

File consists of Winsom's personal and professional correspondence, predominantly relating to her time living in Belize. Includes correspondence relating to the Winsom Foundation, exhibitions such as Jumping the Big Boa (2012), and more.

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