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Fonds consists of the personal records of Jack Pollock, including his writings (unpublished and manuscript); selected correspondence, experimental works on paper, publicity material such as press clippings, photographs of the artist and his associates, and related personal documents.

Collection consists of research on Rolph Scarlett by Judith Nasby, correspondence between Rolph Scarlett and Judith Nasby on his artistic method, and studies by Rolph Scarlett.

Item consists of a typescript catalogue raisonné of the Art Work of Helen Galloway McNicoll (1879-1915).

Collection consists of commercially printed maps designed by illustrators Stanley F. Turner, Jerrine Wells Kinton and Ernest Dudley Chase.

Collection consists of research and administrative files created and maintained by Joan Murray during the development of the Tom Thomson Catalogue Raisonné, and further files documenting the editing and online publication of the catalogue by Emma Conner.

File consists of approximately 27 pages of notes and sketches mostly relating to aircraft design. Some pages have dates between 1972-73, but many are undated. Also includes two sketches of aircraft components on tracing paper.

File consists of approximately 64 pages of textual records, mainly comprised of handwritten notes covering a variety of topics. The topics covered include jet engine design, turbine design and methods, synthetic photography, machinery, art and machines, surface movement in painting, reflections on his art and artistic approach, and more. Some writings have been dated to approximately 1978 and 1979. Also includes a printed page titled "Listing of Games on PET Computer," a handwritten to-do list, a copy of a letter sent from Mildred Friedman to Michael Hayden in 1973, three pages of handwritten drafts of letters, and a contact list for “Video Ring” which includes Favro as a contact.

File consists of textual records that mainly relate to Favro's work and exhibitions from the 1960s and 70s. Includes an invitation to a show opening at La Galerie de France from 1969, 3 copies of an invitation to a joint exhibition for Favro and Ron Martin, and an invitation to a Favro exhibition at the Carmen Lamanna Gallery. Also included is a print-out of an article titled, “The Emergence of Modern Art” by Rudolf Nadassky, a receipt from 1971 from the City of London, Ontario for an instructor's fee, a pamphlet from the London Public Library and Art Museum for 1964-65, a postcard of a work of art titled "For Martin," and a collage-style card from the Carmen Lamanna Gallery staff to Favro. Lastly, there are six pages of professional correspondence spanning the 1960s-1990s.

File consists of 1 watercolour painting of 3 aircrafts in flight.