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File consists of a promotional brochure for the gallery titled, "Sixfold of Savings," advertising six reasons to come back to the gallery.

Folder containing agenda, press release and photograph (8x10, col.) of a study model for the Ground Breaking Ceremony for the National Trade Centre at Exhibition Place, Toronto, June 1995, Photocopies of technical drawings of building plans, Notes from phone call with Karen Mills, October 1995, Letters to Karen Mills, November 1995, Signed Agreement to Propose, November 1995.

Work order for Simcoe Place art installation, June. 1995, Invoices from Creative Art Glass, May & Aug. 1995, Copy of payment to David Vukmanich, Copies of payments to Creative Art Glass, Sept. 1995, Invoices from Reproart Imaging, May-June 1995, Budget outline, July 1995.

Note from Astman, April 1995, Handwritten note.

3 business cards, 9 4x6 col. photos of Cadillac-Fairview construction site and installation, ca. 1995?, Computer-illustrated designs of glass day care windows at Simcoe Place, Correspondence re: C.F. project, Mar. 1994-March 1995, Information sheet listing contacts, Ontario Retail Sales Tax Purchase Exemption Certificate, Blueprint of space, Project concept description, ca. March 1994, Reproart brochure, Misc. notes, Kilvington Bros. Business card and Yellow Pages advertisement, List of fabrication and installation suppliers, TD5 Art Competition budget.

Correspondence re: C.F. Daycare Window Project, April-May 1995, Invoice stubs, Oct. 1994-April 1995 , Expense sheet, 1994/95.

File consists of an instructional document for Astman's Photo-Based Workshop explaining the projects and other details of the workshop. Also includes an image transfer on transparent tape on the back of a plastic sleeve and a black and white photographic print of an image of a face.

File consists of textual records that mainly relate to Favro's work and exhibitions from the 1960s and 70s. Includes an invitation to a show opening at La Galerie de France from 1969, 3 copies of an invitation to a joint exhibition for Favro and Ron Martin, and an invitation to a Favro exhibition at the Carmen Lamanna Gallery. Also included is a print-out of an article titled, “The Emergence of Modern Art” by Rudolf Nadassky, a receipt from 1971 from the City of London, Ontario for an instructor's fee, a pamphlet from the London Public Library and Art Museum for 1964-65, a postcard of a work of art titled "For Martin," and a collage-style card from the Carmen Lamanna Gallery staff to Favro. Lastly, there are six pages of professional correspondence spanning the 1960s-1990s.

Guest artist agreement and information with Open Studio; prospectus for works.