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Letters from European and American dealers and booksellers documenting among many others, the purchase of the Bonnard "Paysage du midi"; tax and customs correspondence; invoices and letters accompanying payments; documents relating to shipping and insurance; correspondence with the Art Gallery of Toronto, John Rewald, Raoul Dufy

Correspondence regarding visits to the collection, restoration, loans; letters from Christiane Pflug

Correspondence referring to the 1956 exhibit of the Zacks Collection at Queen's University; letters and invoices from dealers, correspondence with the Tel Aviv Museum.

Correspondence with Canadian Art magazine; sculptor Gillian Scholar, Alfred Pellan, Canadian Cancer Society (loan of paintings for exhibit), and others

Correspondence with the Baltimore Museum of Art, Palma Bucarelli of the Galleria Nazionale d'Arte Moderna in Rome, Les Amis des Musees Royaux des Beaux-Arts de Belgique, etc.

Correspondence with dealers, John Rewald (and the Cezanne Memorial Committee), the Canadian-Israeli Art Club, Anna Ticho and others.

Correspondence with individuals and institutions whose name has some association with the letter A (often undecipherable) including Mario Amaya (ICOM); Albright-Knox Art Gallery, Art Gallery of Ontario, Louis Applebaum, Toronto Teachers' Art Assoc., Arts Canada, Felicia Roosevelt, and others.

Correspondence to and from Christie's (London), Dr. and Mrs. T. Carpenter, Mitchell Crites, Carnegie Institute.

Series contains letters, invoices, shipping and customs forms, relating to the purchase of works of art, and social and personal correspondence. Four distinct sets of correspondence files have been grouped in this sub-series, following the original file labels: chronological art correspondence (Box 1), alphabetical art correspondence (Box 2), chronological [general] correspondence (Box 3), and alphabetical “Misc.”correspondence (Box 4).

Correspondence regarding the Edinburgh International Festival.