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File consists of promotional material relating to the exhibition Jumping the Big Boa (2012), held at the Image Factory art foundation in Belize.

File consists of records relating to I am the Alchemist (2007), Winsom's first major solo exhibition in Belize, held at the Image Factory art foundation. Includes promotional material and a Gallery Guide noting the locations for each installation in the exhibition.

File consists of records relating to Winsom's exhibitions and other projects in Belize. Predominantly includes promotional material and related documents for exhibitions in Belize, including Women in Art (2011, 2015, 2016) and 29: Artists, Works, Years. Also includes records relating to the Belizean Women's Art Collective, who were mentored and inspired by Winsom.

File consists of records relating to Kindred Spirits: Winsom & Kofi Kayiga (2000), an exhibition at the National Centre of Afro-American Artists in Boston. Includes promotional material, a press release, and a document regarding three of Winsom's exhibitions in the summer of 2000, including Kindred Spirits.

File consists of records relating to the River of Life (2000) exhibition at the Thames Art Gallery, as well as other subsequent installations of River of Life. Includes promotional material, notes regarding opening and closing remarks, and related documents.

File consists of records relating to Winsom's exhibitions and other projects with the Women's Art Resource Centre (WARC). Includes newsletters, brochure for Crossing Borders Mapping Boundaries, a WARC/WCA International Conference, media releases and invitations, and other printed material. Records relate to Making Peace With Ourselves: Art Against War (2000), For My Mother: A Visual Prayer/Feast (2003), and other projects.

File consists of records relating to Winsom's exhibitions and other projects, predominantly in the 2000s. Includes promotional material such as brochures and flyers and other ephemera. Includes records relating to The LOMO Project: Toronto is Neighbourhood at A Space Gallery, Omiala: A Festival of New Black Culture (2004), the Spirits of Power art auction, Niagara: Between Time and Place (2000), and others.

File consists of printed material and ephemera, such as invitations, pamphlets, programmes and related material regarding a number of Winsom's exhibitions, art auctions, and other artistic projects in the 1990s. Includes records relating to Uhuru Sasa/ Freedom Now (1991), Roundup (1992), Women Beyond Borders (1998), Winsom: In The Spirit (1999), and others. Also includes an artist statement and statement of thanks relating to an unspecified display.

File consists of posters, flyers, brochures, and other textual records relating to Winsom's exhibitions, workshops, and other early projects. Includes records relating to Black Wimmin: When and Where We Enter (1989), Afro-Jamaican Fabrics (1985), Into the Heart of Africa (1990), and Exhibition of Works by Jamaican Artists (1973), among others.

Fonds consists of research materials generated in preparation for Southcott's book The Sound of the Drum: The Sacred Art of the Anishnabec (Erin, Ontario: Boston Mills Press, 1984). The following artists are documented in the fonds: Allen Angeconeb, Del Ashkewe, Carl Beam, Leland Bell, Benjamin Chee Chee, Shirley D. Cheechoo, Blake Debassige, Noel Ducharme , Don Ense, Rhonda Franks, Ril Gaiashk, Tom Hill, Robert Houle, Alex Janvier, Francis Kagige, Goyce Kakegamic, Morley Kakepetum, Eleanor Kanasawe, Josh Kakegamic, Norman Knott, John Laford, Mel Madahbee, Norval Morrisseau, Hugh Mckenzie, Johnson Meekis, Daphne Odjig, Martin Panamick, Carl Ray, Tim Restoule, Michael Robinson, Allen Sapp, James Simon, Arthur Shilling, Roy Thomas, Randy Trudeau, and Saul Williams.