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File consists of textual records relating mainly to grant and bursary applications, as well as correspondence. Included is a 1985 letter to Favro from Michael Mundhenk, a 1967 application for a Canada Council Arts Bursary, 2 invitations to "Track Records: Trains and Contemporary Photography" at Oakville Galleries, a note from the 2020 Gallery, an insurance memo from 1998 from AON Reed Stenhouse Inc., 3 pages relating to "Sproing (1965),” a 1991 Grant application, a handwritten note to the Arts Awards Service, a handwritten project cost report, a report noting that a grant allowed Favro to complete specific projects, a typed project cost report from 1991, a request for a third installment to the Arts Awards Service from 1992, and an empty envelope.

File consists of largely undated textual records, relating to both Favro and his son, Mark. Included is Mark Favro's 1973 library card and a 1973 letter from Lord Roberts School regarding parent volunteers for an activity. There is also a floorplan of the Carmen Lamanna Gallery, a photocopy of a camera supply catalogue page, a receipt from Trans Canada Couriers, an oversized folded piece of paper with hand-drawn floorplans for a Toronto building, 2 copies of “The Blank-Faced People of Iden Moor” by Robert Fones. Also includes a 2-page draft of a biography for Favro, a number of diagrams and notes for an undefined circuitry project, and photocopied instructions for operating a Rollei slide projector.

File consists of a 2-page schedule for February 1995, which Favro has annotated. It also includes an advertisement for a Rollei slide projector and 4 pages of undated handwritten notes.

File consists of textual records and graphic material, spanning from approximately 1963 to 2002. Included is an invitation to Favro and Judith Mae Byron’s wedding from 1968, a brochure for the Cape Spear National Historical Site, 2 copies of an invitation to the opening of "Murray Favro: A Retrospective" at the National Gallery of Canada from 1984, an invitation to the Members' Preview of "Murray Favro: A Retrospective" at the Art Gallery of Ontario, an invitation to "Murray Favro: Air Show" at the Carmen Lamanna Gallery, an invitation from the Canadian Ambassador in France, 9 postcards, a 1963 Vehicle/ Equipment Daily Work Ticket, a sketch on an aircraft, a small black notebook with notes and calculations from 1971, a program for “Kinotek” at the London Public Library and Art Museum, an invitation to a joint Murray Favro and Ron Martin exhibit at the McIntosh Gallery, a 1998 receipt for a delivery from the London Regional Art Gallery, a page of California Legislature from 1970, a number of pages of professional correspondence, a receipt from Fanshawe College, London, an advertisement and promotional booklet for the 2002 exhibit “Construction Compulsion” at Oakville Galleries, a Royal Canadian Academy of Arts bulletin from 1999, a photograph (possibly of an installation piece), and a number of pages of hand-drawn circuitry diagrams and other notes and sketches.

File consists of 3 ink drawings completed by Favro in 1957-1958. One of the sketches depicts a classroom, and on the back is written “Lord Roberts School London, Ontario 1957” and “drawn from memory.” The second sketch depicts the interior of a home, possible a living room or office, and is dated to 1958. The last sketch is undated and depicts the inside of an industrial workspace, possibly Parker’s Bread.

File consists of textual records including a number of handwritten notes and diagrams for a project (possibly "Synthetic Wave"), two copies of a printed diagram of an aircraft and its internal components, and a 20th Anniversary Issue of the Forest City Gallery catalogue for 1973-1993. Also includes a 3-page letter from Carmen Lamanna to Shonan McKay at Macleans Magazinefrom 1979, a handwritten letter from Nairn Publishing House from 1974, and a 2-page letter from Carmen Lamanna to Cathy Arthur with artscanada from 1981.

File consists of largely undated textual and graphic materials, mainly comprised of Favro's handwritten notes and sketches. A number of sketches depict or are related to aircrafts and jets, and others relate to undefined projects and ideas. A number of handwritten notes are included, which relate to potential and existing projects, Favro's thoughts on different topics, and drafts of correspondence. Also included is a 1971 letter to Favro from Dennis Young at the AGO, a map of the Paris Metro system, and a 1970 catalogue for the 2020 Gallery.

File consists of textual records relating to Favro’s work, activities and interests, spanning a range of decades. Included is a driver's report of a vehicle accident, a Vehicle/Equipment Daily Work Ticket from Signal Regiment Training from 1962, 6 copies of an advertisement for the Nihilist Spasm Band performance at The Black Swan, a Canadian Motorcycle Association 1967 calendar of events, a Department of National Defence envelope containing a student militia training timetable, a Royal Canadian Signals menu, a letter to Favro from a commanding officer, and an Annual Range Classification sheet from 1961. Also includes a blank entry form for the Mosport Indian Summer Trophy Races, an advertisement for an exhibition at the McIntosh Memorial Gallery, 2 postcards for a Royden Rabinowitch exhibit at the Carmen Lamanna Gallery, a handwritten note regarding rolls of film to be developed, an undefined form concerning the Nihilist Spasm Band, correspondence from Carmen Lamanna, a 1992 contract between Favro and Bell Canada regarding a sculpture for the Canniff Switching Centre, a letter from the University of Calgary concerning a presentation to be given by Favro, a photocopy of a newspaper clipping of a 1989 article titled "McMaster art collection on view," a 1959 letter from Parker's Bread regarding summer employment, and a number of other pages of professional correspondence. Also included is an envelope from the Taxation Data Centre containing T4 receipts and a blank tax return form. Further, there is also a list of results from a 1967 motorcycle race, a note regarding an upcoming High School Art Workshop visit to Favro's studio, a 1963 Signal Regiment Annual Range Classification, and a sketch or diagram of an undefined object, possibly an aircraft.

File consists of approximately 95 loose pages of textual records and graphic material, and 1 stapled catalogue booklet. Materials mainly concern Favro’s works and projects from the 1990s. Also includes colour and B&W print-outs of Favro's works, mainly installation pieces, possibly photocopied from a published catalogue. Also included are notes, sketches, and installation instructions pertaining to "Railway Tracks (1995-1996)," a printed email from Don Wherry to A. Pratten about the lineup for the 1996 Sound Symposium, a draft from 1971 of Favro's writings on "Mechanology," a copy of a published Spanish-language catalogue titled "Casa de las Americas" from 1988, a photocopy of a French-language biographical sketch from 1973, a photocopy of a magazine article about Favro in English and French from 1995, printed information on the Forest City Gallery, including its mission statement, and a colour printout of "Snow on Steps (1994)."

File consists of textual materials from the 1960s and 70s. It includes 4 copies of instructions for a military funeral from 1962, a set of instructions for Crumlin Summer Camp from 1962, 2 1974 letters to Favro from National Gallery and an accompanying contract for payment of an artist fee. Also included are 3 copies of a Vehicle/ Equipment Daily Work Ticket from Signal Regiment Training from 1962 and an undated program for Campus Players Summer Theatre.