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Fonds consists of documentation of Tanya Mars' career as a performance artist and video artist, including photographic, video, and audio documentation of her live performances; raw footage used in the filming of her video artworks; slides, video projections, and soundtracks used as live elements during her performances; and textual records documenting her creative process. Fonds also consists of professional records documenting her involvement with Powerhouse Gallery, ANNPAC, 7A*11d, and Parallelogramme magazine in addition to her role as a professor at the University of Toronto and the Nova Scotia College of Art and Design.

Fonds consists of a set of published writings on Leslie Mezei's work in computer art; the typescript and accompanying photographic illustrations of his book Computer Art: An International Portfolio; and digitized images and films that document his practice.

Series comprises documentation of advocacy campaigns around three separate crises affecting the Canadian documentary photography community, in which Pamela Harris was involved in an organizing capacity. These records are not directly related to Photo Eclipse, but they involve many of the same people and are centred around the issue of public funding and support for documentary photography in Canada.

Series comprises photographs of selected exhibition installations at the Photo Passage gallery space. Photographs are credited to John Scully, except for those of the Hlynsky and Mitchell exhibitions, which were taken by Henry Jablonski. For each exhibition, the first sheet of slides consists of images selected by Pamela Harris, while following sheets contain the remainder of images of that show.