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File consists of correspondence regarding Astman's contributions to Whodunit?, The OCAD Mystery Art Sale, OCAD's signature fundraising event.

File consists of forms, a Field Study Sponsor Assessment, a Field Study Proposal, and related documents regarding a Field Study project at OCAD U by student by Lauren Laile (OCAD U), with Astman serving as a mentor.

File consists of an instructional document for Astman's Photo-Based Workshop explaining the projects and other details of the workshop. Also includes an image transfer on transparent tape on the back of a plastic sleeve and a black and white photographic print of an image of a face.

File consists of instructional and guide booklets, brochures, and related documents regarding creative techniques for using and manipulating polaroid film and creating image transfers. Also includes an invitation to the opening reception for the exhibition, Barbara Astman: Revisiting Red, as well as an emulsion transfer on aluminized paper, a polaroid image in a frame reading "got milk?" along the bottom, and two skeletonized leaves that were used by Astman in photographs.

File consists of collages, Polaroid photographs and transparencies, newspaper and magazine clippings, and other paper ephemera and graphic material used by Astman as collage elements, such as printouts and photocopies. Some graphic material has been taped together and cut into various shapes, or scraped and scratched to form collage and overlay components. Also includes an instructional printout from Polaroid's website regarding tips and techniques for using Polaroid P/N films.

File consists of Polaroid prints and image transfers, predominantly emulsion lifts, showing the results of a wet image transfer process. Includes multiple transferes of the same image of a woman facing away from the camera, which Astman also used in a separate artwork series. One of the image transfers is on a glass plate, which Astman

File consists of "The Deadline" (1996), a comic created by Helene Astrom (Contemporary Photography Department at OCAD), a production still from Blackmail (1929), directed by Alfred Hitchcock, two emulsion transfers and instructional documents regarding image transfers.

File consists of cyanotype prints, as well as slides, negatives, transparencies and related graphic material used in the process of creating the cyanotypes, including two radiographs (x-ray photographs) of a human skull, 2 plastic bags with logos, and laser printouts of digital images. These samples and materials were used by Astman during teaching, especially regarding historical processes of photography.

File consists of slides of various artists' works, such as Anna Atkins, Robert Schaefer and Sally Larsen, used by Astman during lectures about historical experimental photography. Includes 69 photographic slides, originally housed in a Kodak Carousel slide tray for projection. The slides are labeled with the artists' names and types of photography demonstrated, such as cyanotype, daguerreotype, tintype and others.

File consists of an instructional manual for Inkodye, a brand of vat dye that can be used for a variety of dying techniques and materials, 3 b&w photographs of a child's face, an optical disc containing issue 28 (2005) of the Polaroid magazine, Polaroid International Photography, a brochure from Berg Colour-Tone Inc., and an instruction sheet regarding dry mounting adhesives.