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Notebook is bound in black speckled paper- covered boards with cloth backstrip, worn and largely disbound. Addresses on the front free endpaper include that of Albert Barnes. Pages are unlined. A number of rough pencil sketches, most of a cubist nature, are included, and summaries include The aesthetic attitude by Langfeld; the Picabia issue of The little review (Spring 1922); Projective ornament by Claude Bragdon; On a composition by Gauguin by Roger Fry; Dynamic symmetry in composition as used by the artist by Jay Hambidge, etc. Four oiled tracing paper sheets with notes and drawings have been loosely inserted.

Plain bound sketchbook (42.5 x 35.5 cm) with 8 full page drawings and 1 half-page bound in. 5 drawings removed along perforation. The drawings are ink and brush studies, apparently from models.

File contains drawings in black ink and brush or pen and ink on paper of figures apparently drawn from life.

File contains figure studies in pencil on paper. The group seems to be a combination of drawings from life and copies of poses from published sources.

File contains pencil and charcoal drawings on paper consisting of figures drawn from life. With few exceptions they consist of simple outlines.

File contains 4 prints, including 2 prints from the same plate on different papers (12.5 x 10 cm

File contains one drawing, red and black wash over pencil on paper, of a boy and girl picking apples. Two pencil sketches of entwined figures on the verso

File contains drawings received from Sylvia Ostry, as follows: Untitled (Seated figure), [ca. 1925]; Untitled (Seated figure in window), [ca. 1925]; Untitled (Three female nudes), [192-]; Untitled (Three female nudes in landscape), [ca. 1928]; Untitled (Female figures in mountainscape), [ca. 1928]

32 pages inserted in Wellington Bond typewriter tablet cover

120 pages inserted into a card folder labeled