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File consists of printed material and ephemera, such as invitations, pamphlets, programmes and related material regarding a number of Winsom's exhibitions, art auctions, and other artistic projects in the 1990s. Includes records relating to Uhuru Sasa/ Freedom Now (1991), Roundup (1992), Women Beyond Borders (1998), Winsom: In The Spirit (1999), and others. Also includes an artist statement and statement of thanks relating to an unspecified display.

File consists of records relating to Winsom's exhibitions and other projects with the Women's Art Resource Centre (WARC). Includes newsletters, brochure for Crossing Borders Mapping Boundaries, a WARC/WCA International Conference, media releases and invitations, and other printed material. Records relate to Making Peace With Ourselves: Art Against War (2000), For My Mother: A Visual Prayer/Feast (2003), and other projects.

File consists of records relating to the River of Life (2000) exhibition at the Thames Art Gallery, as well as other subsequent installations of River of Life. Includes promotional material, notes regarding opening and closing remarks, and related documents.

File consists of records relating to Kindred Spirits: Winsom & Kofi Kayiga (2000), an exhibition at the National Centre of Afro-American Artists in Boston. Includes promotional material, a press release, and a document regarding three of Winsom's exhibitions in the summer of 2000, including Kindred Spirits.

File consists of records relating to Winsom's exhibitions and other projects in Belize. Predominantly includes promotional material and related documents for exhibitions in Belize, including Women in Art (2011, 2015, 2016) and 29: Artists, Works, Years. Also includes records relating to the Belizean Women's Art Collective, who were mentored and inspired by Winsom.

File consists of records relating to I am the Alchemist (2007), Winsom's first major solo exhibition in Belize, held at the Image Factory art foundation. Includes promotional material and a Gallery Guide noting the locations for each installation in the exhibition.

File consists of promotional material relating to the exhibition Jumping the Big Boa (2012), held at the Image Factory art foundation in Belize.

File consists of records relating to Winsom's solo exhibition, I Rise (2019), held at the Art Gallery of Ontario. Includes installation documents, crate lists, budget documents, and related exhibition documents.

File consists of records relating to Winsom's solo exhibition, The Masks We Wear (2022), held at the Agnes Etherington Art Center. Includes promotional material and other documents regarding the exhibition, including an itinerary and other travel documents.

File consists of posters and other promotional material relating to Winsom's exhibitions and other projects, including "uhuru sasa/ freedom now" (1991) and Black Wimmin, When and Where We Enter (1989). Also includes a brochure for "Toronto Tributes + Tributaries 1971-1989" (2016).