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File consists of 1 undated duotang notebook of papers with Favro's notes. Among the topics written about and sketched are recording devices, machines, farm machinery, salesmen, and a description of a show and associated expenses for the Carmen Lamanna Gallery involving projections.

File consists of 1 undated duotang notebook of graph and lined paper containing Favro's notes and sketches. The sketches mainly relate to an undefined project labelled "Construction," and the notes cover Favro's possible ideas for shows, experiments, and a bus ride from London to Toronto.

File consists of 1 undated exercise book containing mainly sketches of undefined shapes, as well as some short biographical notes about Favro's education, present activities, and achievements.

File consists of 1 undated spiral notebook containing Favro's notes and a few sketches of animals towards the back of the notebook. Many of the pages have scribbles over the writings, possibly done by Favro's son, Mark. Not all of the writings have headlines, but those that do include, "Criticism of Science," "Against Fashion," and "No Critics Allowed." Also included is a draft of a letter for Carmen Lamanna regarding changes to a contact.

File consists of textual records relating to a variety of Favro's work and interests between the 1960s and early 2000s. There are approximately 8 pages of correspondence from between 1973 and 2001, including a letter requesting permission to include Favro's work in a children's book titled "A First Book of Canadian Art." Also included are 2 pamphlets from the 2020 Gallery in London, ON, a 1967 letter and Bulletin from the Nortown Motorcycle Club, an installation sketch for "Synthetic Lake," handwritten notes and drafts, a newspaper article clipping titled "Unreasonable demands of artists criticized," a notice for a Community Computing meeting, an page of information regarding an Arts Bursary from the Canada Council, a list of contacts and equipment requests for the Ontario Arts Council regarding "Video Ring," notes from a 1971 Canadian Artists’ Representation (C.A.R.) meeting, typewritten notes on “Projekt ’74,” an announcement for “Slides Eye View – London,” and an empty envelope from Queen’s University Art Centre.