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Series comprises an untitled experimental art work by Suzy Lake, consisting of an antique carte-de-visite album containing 34 hand-tinted black and white prints by the artist.

Series consists of newspaper and magazine articles and reviews and exhibition notices of Tim Zuck’s work. The series also contains some of Zuck’s personal notes and two copies of a transcript of an interview with Joan Murray, dated March 8, 1979. The artist has filed these documents together chronologically.

Series consists of correspondence between the Baldwin Street Gallery and photographers, curators, other galleries, as well as some personal letters received and sent by Laura Jones and John Phillips.

Series comprises correspondence to F.H. Varley between 1919 and 1969 from friends, admirers, collectors of works of art and students seeking help with school assignments. Contents include letters and notes, postcards, greeting cards, invitations, exhibition notices, receipts and, in the case of the Edmund Carpenter and the Allan Wargon folders of correspondence, motion picture scripts.

Series comprises personal correspondence dated between 1934 and 1969 to F.H. Varley from his sisters Lilian Varley (1875–1957) and Ethel Varley (1879–1970) of Sheffield (England), and from his children. Also included is correspondence from his grandchildren and from various correspondents seeking information about family connections along with a letter (fragment) from Varley to his mother. Contents include letters and greeting cards.

Series comprises personal correspondence to F.H. Varley’s companion Kathleen McKay from his friends and family as well as business correspondence from public and private art galleries, law firms and others, largely dealing with Varley and his works. Also included are letters from her to Varley early in their friendship. File titles are from original folders.

Series comprises files kept by Gallery Moos on the gallery’s artists, chiefly containing correspondence, brief biographies, lists of art works, and press clippings; files are arranged alphabetically. Series also includes records of the Gershon Iskowitz Foundation.

Series comprises files on Gallery Moos’ participation in the Los Angeles and Chicago art fairs, containing correspondence, lists of art works, and art fair literature

Series comprises a complete run of Gallery Moos exhibition invitations. Series also contains similar items for some exhibitions on which Gallery Moos collaborated with other galleries, and some exhibition invitations for Gallery Moos New York.

Series comprises files of general correspondence received at Gallery Moos in Toronto over a period of more than thirty years from 1959 to 1993. The materials were received by the AGO from Gallery Moos in 2004 and 2012. The 2012 accrual comprises copies of letters sent from Walter Moos, gallery director Gerard Jennings and other gallery staff as well as letters received from clients, other dealers and galleries chiefly regarding purchases of artwork, requests to publish or exhibit works by gallery artists.