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Series comprises records from the Gallery Moos New York office, including correspondence with clients, artists and colleagues; card indexes; floor plans and architectural drawings; photographs of artwork and the gallery space; administrative records regarding the gallery space and samples of letterhead. Material was received from Gallery Moos in 2004 and 2012. .

Series comprises manuscripts of a synopsis of a projected art textbook and notes and essays on art subjects by Arthur Lismer; with copies of other writings about art education.

Series comprises a source book on Arthur Lismer written by his daughter Marjorie Lismer Bridges and screenplay materials for a National Film Board of Canada production on Lismer’s work.

Series comprises photographs of Arthur Lismer's friend and fellow painter Tom Thomson (1877-1917) and places where they sketched landscapes together; clippings from the 1940s and '50s about Thomson; and some Thomson ephemera.

Series comprises Arthur Lismer’s correspondence, chiefly between the 1920s to 1950s, with officials at the National Gallery of Canada (Ottawa); the Children’s Art Centre at the Art Gallery of Toronto; Charles S. Band, president of the Art Gallery of Toronto; with miscellaneous active (unsent) and passive correspondence; and typed transcripts of some handwritten letters.

Series comprises records related to the running of the gallery and includes artist biographies, price lists, sample forms and statements, materials used to determine insurance values and some correspondence. Within the administrative records, separate files were maintained for some artists including price lists, statements of works sold and other administrative documents. The administrative files related to individual artists and the artist biographies are grouped together at the end of the series.

Series contains files and publications relating to John Faichney’s involvement with CEAC and the KAA, including publicity material, stationery and periodicals. Also included is the original typed manuscript for the 1976 Symposium on Contextual Art held at CEAC. Material has been arranged chronologically by the archivist.

Series contains monographs and periodicals from Canada, the US and Europe accumulated by John Faichney. The material has been arranged chronologically by the archivist.

Series comprises photographs of Canadian painter Elizabeth McGillivray Knowles (Ottawa 1866–1928 Riverton, N.H.) and her paintings taken around the turn of the 20th century at an unidentified location.

Series comprises a photo of Canadian painter Mary Hiester Reid (Reading, Pa. 1854–1921 Toronto), with installation shots of the 1922 memorial exhibition of her paintings at the Art Gallery of Toronto, and a photo of an oil portrait of her by her husband George Agnew Reid.