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Archival description
Fonds
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Elke Town fonds

  • LA.SC141
  • Fonds
  • 1974-1991

Fonds documents Elke Town’s activity in the visual arts in Toronto between the years 1974 and 1991. The files are related to various positions she held, beginning with A Space in 1974, and the curatorial work she carried out at the Art Gallery of Ontario, Gallery 76 at OCAD, Art Metropole and as an independent curator. There are also files related to her writing about visual art and video for numerous publications such as C Magazine, Vanguard, Parachute and Canadian Art.

Town, Elke

Jack Pollock fonds

  • LA.SC165
  • Fonds
  • 1920-[199-]

Fonds consists of the personal records of Jack Pollock, including his writings (unpublished and manuscript); selected correspondence, experimental works on paper, publicity material such as press clippings, photographs of the artist and his associates, and related personal documents.

Pollock, Jack

Leslie Mezei fonds

  • LA.SC169
  • Fonds
  • 1962-2022

Fonds consists of a set of published writings on Leslie Mezei's work in computer art; the typescript and accompanying photographic illustrations of his book Computer Art: An International Portfolio; and digitized images and films that document his practice.

Mezei, Leslie

Michael Bidner fonds

  • LA.SC033
  • Fonds
  • 1965-1989

Fonds consists of personal and professional records of Michael Bidner, primarily created during the mid-1970s to 1989. Files pertain to various projects during Bidner’s artistic career and include working files, artwork, the artist’s publications, correspondence, ephemera, photographs and slides.

Bidner, Michael

Photo Eclipse fonds

  • LA.SC166
  • Fonds
  • 1984-2020

Fonds consists of the administrative records of Photo Eclipse, including its founding and operation of The Photo Passage gallery at Harbourfront. Fonds also includes photographic documentation of several exhibitions held at The Photo Passage, and records of advocacy efforts related to public support for photography in Canada in which Pamela Harris was involved.

Photo Eclipse (group of artists)

ChromaZone/Chromatique fonds

  • LA.SC149
  • Fonds
  • [195-] - 2004

Fonds consists of documentation of the work and activities of members of the ChromaZone Collective; records of the group’s exhibition activity, including posters; and photographs of group members. Fonds also includes records related to the establishment and administration of the Tim Jocelyn Art Foundation, and records of Sibyl Goldstein’s art-related activity following the disbandment of ChromaZone.

Chromazone (Group of artists)

Beth Southcott fonds

  • LA.SC172
  • Fonds
  • 1977-1989

Fonds consists of research materials generated in preparation for Southcott's book The Sound of the Drum: The Sacred Art of the Anishnabec (Erin, Ontario: Boston Mills Press, 1984). The following artists are documented in the fonds: Allen Angeconeb, Del Ashkewe, Carl Beam, Leland Bell, Benjamin Chee Chee, Shirley D. Cheechoo, Blake Debassige, Noel Ducharme , Don Ense, Rhonda Franks, Ril Gaiashk, Tom Hill, Robert Houle, Alex Janvier, Francis Kagige, Goyce Kakegamic, Morley Kakepetum, Eleanor Kanasawe, Josh Kakegamic, Norman Knott, John Laford, Mel Madahbee, Norval Morrisseau, Hugh Mckenzie, Johnson Meekis, Daphne Odjig, Martin Panamick, Carl Ray, Tim Restoule, Michael Robinson, Allen Sapp, James Simon, Arthur Shilling, Roy Thomas, Randy Trudeau, and Saul Williams.

Southcott, Beth

Art Institute of Ontario fonds

  • LA.SC034
  • Fonds
  • 1959-1968

Fonds consists of Art Institute of Ontario records accumulated by Paul Bennett, in the course of his duties as Field Director / Adviser and later Director of the Art Institute of Ontario. Fonds includes Adviser’s service reports, minutes of annual meetings, director’s reports, funding briefs, and two scrapbooks documenting the activities of the AIO. Fonds is comprised of the following series: 1. Adviser’s service reports 2. Minutes, director’s reports and funding briefs 3. Scrapbooks

Bennett, Paul

Sorel Etrog fonds

  • LA.SC132
  • Fonds
  • 1921-2012

Fonds consists of the records of the life and work of Sorel Etrog, including his personal, professional and literary correspondence; records of exhibitions and of acquisitions of his work by various galleries and collectors; administrative records related to various projects and collaborations by the artist; preparatory and experimental works on paper (“study drawings”); a selection of preparatory maquettes for sculptures; publicity materials including exhibition invitations and press clippings; and comprehensive documentation (photographs and lists) of the artist’s finished work. Three paintings by art collector and patron Samuel Zacks are also included.

Etrog, Sorel

Pleasure Dome fonds

  • LA.SC147
  • Fonds
  • 1989-2016

Fonds consists of material produced by Pleasure Dome in Toronto for its programs of film and video exhibitions between 1989 and 2016, including press releases, clippings of notices and reviews, programming records with correspondence, and related material.

Pleasure Dome (Toronto, Ont.)

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