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Fonds consists of scrapbooks assembled by Canadian artist and author Edmund Morris (1871-1913) of autograph manuscripts of Wyatt Eaton, chiefly on art (especially Italian Renaissance art), and literature. Also included are correspondence of Edmund Morris, Charlotte Eaton and others regarding Wyatt Eaton, and material related to the Society of American Artists.

Fonds documents Workscene Gallery as an artist collective, artist-run gallery and publisher in Toronto, including photographs, negatives, slides , photo albums, one poster, newspaper clippings, invitations, guest books, log books, exhibition catalogues, one video tape, address stamp and corporate seal.
Contains series:

1. Members and associate members files
2. Exhibition files
3. Executive Committee files
4. Financial records
5. Publications
6. Correspondence
7. Administration files

Fonds consists of material documenting the Women's Art Resource Centre as a gallery and provider of educational programming, facilities, and research resources to support and promote women artists, including photographs, slides, exhibition promotion, workshop flyers, brochures, posters, newspaper clippings, correspondence, and publications.

Fonds consists of correspondence with art dealers, experts and auction houses; photographs of artworks; hand-painted illustrations of ceramics; inventories of art and ceramics collections; descriptive catalogues of the art collection; research notes on the provenance of works of art; art-related publications; and wills pertaining to the development, maintenance and dispersal of the Van Horne family collections of paintings and ceramics over the course of three generations in Montreal from late 19th to the end of the 20th century. Fonds is comprised of the following series: 1. Sir William Van Horne’s notebooks 2. Sir William Van Horne’s files 3. Sir William Van Horne’s collections record books 4. Photo reproductions of works of art 5. Illustrations of ceramics by Sir William Van Horne 6. Note card collections inventories 7. “Dummy” catalogue 8. Division of collection records 9. Miscellaneous documentation of collection 10. Adaline Van Horne’s correspondence 11. Miscellaneous inventories 12. Robert J. Wickenden catalogues 13. Margaret Van Horne’s files 14. Margaret Van Horne’s binders 15. Janet Hannon’s provenance notes

Fonds consists chiefly of correspondence received by Harold Murchison Tovell, Ruth Massey Tovell and Vincent Tovell, most notably from their friends the French artist Jacques Villon and his wife Gaby from 1928 to 1962. Other correspondence concerns the lending and donation of family artworks. Also included are catalogues for exhibitions of the works of Jacques Villon and his brother Raymond Duchamp-Villon as well as inventories and photographs of Tovell family artworks and furnishings. The fonds comprises ca. 83 items. Fonds is comprised of the following series: 1. Harold Murchison Tovell correspondence 2. Ruth Massey Tovell correspondence 3. Vincent Tovell correspondence 4. Jacques Villon exhibition correspondence 5. Jacques Villon exhibition catalogues 6. Tovell collection photographs 7. Tovell collection inventories

The fonds consists of personal and professional correspondence, exhibition and projects files, exhibition catalogues, newspaper articles and reviews of Tim Zuck’s work, multimedia records including art related photographs, films, audio cassette tapes, conceptual art projects, exhibition notices, financial records, and publications.

The collection consists of Lee’s files on a number of Canadian visual artists, art associations and related individuals. File contents vary but typically contain material such as correspondence, essays, photographs, sketches, watercolour paintings, press clippings and printed ephemera. File titles are as follows: Arts and Letters Club; Brooker, Bertram R. (1888-1955); Challener, F.S. (1869-1959); Colgate, William (1882-1971); Delfosse, Georges (1869-1954); Dyonnet, Edmond (1859-1954); Forbes, Kenneth (1894-1980); Fowler, Daniel (1810-1894); Fraser, John A. (1838-1898); Girard, Rodolph; Grier, E. Wyly (1862-1957); Howard, A.H. (1854-1916); Huntley, Walter E. (1887-1931); Jackson, A. Y. (1882-1974); Jacobi, Otto R. (1812-1901); Jefferys, Charles W. (1869-1951); Johnston, R.E. (1885-1933); Kane, Paul (1810-1871); Kelly, John D. (1862-1958); Laberge, Albert; Lismer, Arthur (1885-1969); MacDonald, Grant (1909-1987); Millard, Charles S. (1837-1917); Ontario Society of Artists; Ottawa; National Gallery of Canada; Peel, Paul (1860-1892); Reid, George Agnew (1860-1947); Rolph, G.G. (Rolph, Clark and Stone Ltd.); Royal Canadian Academy of Arts; Rozaire, Arthur D. (1879-1922); Russell, Gilborne; Signatures of Artists; Spooner, James; Thomson, Tom (1877-1917); Toronto. National Portrait Gallery; Wickenden, Robert (1861-1931). Arranged alphabetically according to subject by T.R. Lee.

Fonds consists of Suzy Lake’s documentation of her artistic projects and exhibitions, records of her teaching activity at the University of Guelph, trial proofs used in the production of photo murals, and an example of early experimental work by the artist. Fonds also includes Lake’s grandfather’s sketchbook from his studies at the Detroit Institute of Arts.

Fonds consists of the records of the life and work of Sorel Etrog, including his personal, professional and literary correspondence; records of exhibitions and of acquisitions of his work by various galleries and collectors; administrative records related to various projects and collaborations by the artist; preparatory and experimental works on paper (“study drawings”); a selection of preparatory maquettes for sculptures; publicity materials including exhibition invitations and press clippings; and comprehensive documentation (photographs and lists) of the artist’s finished work. Three paintings by art collector and patron Samuel Zacks are also included.