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Series comprises manuscripts of a synopsis of a projected art textbook and notes and essays on art subjects by Arthur Lismer; with copies of other writings about art education.

Item is a copy of Hokusai by C.J. Holmes (London: Unicorn Press, 1899) inscribed "A. Lismer," with pen sketches by Lismer on the title page and back endpaper.

File contains correspondence between Lismer, art consultant Robert Martin (London, England) and representatives of art schools and institutions in Canada regarding a proposed travelling exhibition of artworks by students in art schools in Britain in 1922.

File contains a studio portrait ([1907]) of Tom Thomson; a photo (dated 1914) of Thomson with Lismer in a canoe (4 copies, one a detail); four photos (dated 1923) of lakes in Algonquin Park, Ont.; photos of the Tom Thomson Memorial Cairn (Canoe Lake, Ont.); and other photos. Most are annotated on verso.

File contains a manuscript essay by Arthur Lismer entitled "The appreciation of pictures"; typescript or carbon copies of "Letters to African teachers of Bechuanaland," and "Suggestions for a proposed syllabus for the teaching of art in [South African] native schools"; and a mimeograph copy of five chapters of "The teaching of art in normal primary & secondary schools [in the Transvaal]."

File contains art education booklets from Arthur Lismer's collection entitled Drawing (Toronto : Ontario Dept. of Education, 1927) (Art bulletin ; no 2), and Art Education (London : His Majesty's Stationery Office, 1946) (Ministry of Education pamphlet ; no. 6).

File contains correspondence to Lismer from R.S. van Valkenburg of the Fine Arts Galleries of the T. Eaton Company in Toronto regarding an exhibition of Lismer’s paintings on consignment to the gallery from January to July of 1946, along with borrowed works not for sale; with shipping documents and an exhibition list. Some leaves have pen sketches on verso.

File contains manuscript correspondence from Lismer to the staff of the Children’s Art Centre at the Art Gallery of Toronto discussing his sentiments about art education; letters were written from Columbia University in New York (1938–1939), and afterwards from Ottawa. Includes typed transcripts.

File contains correspondence to Lismer in South Africa, New York and Montreal from then-president of the Art Gallery of Toronto Charles Shaw Band in Toronto, between 1936 and 1949, commenting on events and committee affairs at the Gallery. The file also includes correspondence (1949–1950) from Harry Southam regarding Lismer’s canvas Sombre Isle.

File contains manuscript correspondence of Lismer to Eric Brown, officials at the Ontario College of Art, and others, largely unfinished and unsent, on art education and other subjects.