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Blueprint of Hayter St. Condominium, Correspondence re: Hayter, June 1992-June 1994, Photocopies of segments of blueprint, Colour poster for condominium, Misc. notes, Detailed description of Bay/Hayter Condominium Project, Astman's submission to Karen Mills, July 1992.

Notes and draft images for Art Niche, June 1994?.

Pencil rubbings of leaves. Folder also contains the pencils used to make the rubbings. These are preliminary work for the Tuscan Landscape series by Astman (1994-1995).

File consists of a story titled "The Mirror of Dearth," and an excerpt from "A story from Asante," telling the story of Ananse the Great Spider. This story relates to research for Winsom's textile artwork, "The Mirror of Dearth" (1995).

Collection consists of records accumulated by Ric Amis between 1982 and 1994 from organizations with which he was affiliated in Toronto, including Citizens for the Arts, Beaver Hall Artists’ Housing Co-operative, Lakeshore Village Artists’ Housing Co-operative, Toronto Artscape, Toronto Independent Media Enterprises/Cultural Arts Centre (Toronto) Incorporated, Canadian Artists Network: Black Artists in Action, and the Live/Work Space Building Code Working Group.
Collection comprises records of meetings of boards and committees; business and legal correspondence; provincial, municipal and other reports and policy documents; administrative records of organizations; research materials on artists’ co-operative housing; feasibility studies for projects; architectural drawings, and related material.

Typical file contents include artist's CV, artist statements, photographs and slides of the artist's work, exhibition invitations, pamphlets and catalogues and published material about the artist from other sources, press releases and reviews who were members or associate members of the organization.

Gallery exhibition guest books, the first of which contains shows of Ruby-Fiorino Gallery and Workscene Gallery.

File may contain sent correspondence including responses to applications for membership, confirmation of gallery rental, letters of support, and correspondence to members about the transfer of the Workscene Gallery records to the E.P. Taylor Research Library & Archives, Art Gallery of Ontario. Correspondence received may include membership requests, resignations or withdrawals from the collective and applications for employment.

Drawing of text for letter painting

Correspondence and list of works for exhibition at West Parry Sound District Museum, Parry Sound, ON