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Series consists of a suit of clothing and other objects of personal significance.

Series comprises photocopies of correspondence between Mrs Frank Cooper and the Art Gallery of Toronto regarding the purchase by J.S. McLean of the painting Round Lake, Mud Bay (1915) by Tom Thomson.

Series comprises committee reports and minutes, correspondence, monthly bulletins of the gallery, exhibition notices, lists of donors, and accessions lists.

Series comprises photographs of artworks by Hundertwasser, Emily Carr and Raymond Mason, with a booklet on Hundertwasser and an envelope (sender: J. Plaskett).

Series contains published and unpublished material relating to Panton’s personal and professional life, including correspondence, clippings, lectures, notes, reproductions and photocopies. Correspondence relating to his tenure as President of the Ontario Society of Artists is included, during the controversy involving the secession of the Group of Seven and other matters. Among the papers was a list with file designations (see file 1). The first series follows this arrangement.

Series consists of notebooks and diaries in which Greg Curnoe recorded visual and verbal observations and poetry and prose writings from his art college years to his later professional life.

Series comprises correspondence, receipts, invoices, floor plans, photographs and lists of artworks related to acquiring, exhibiting, maintaining and lending works from the J.S. McLean Collection (at the McLean residence and the offices of Canada Packers), along with art gallery notices, exhibition catalogues, booklets on art subjects and newspaper clippings. Correspondents include Lawren Harris, A.J. Casson, A.Y. Jackson, Paraskeva Clark, Carl Schaefer, Leonard Brooks, Joe Plaskett and Ada Carmichael (wife of Franklin Carmichael).

Series comprises photos of Canadian painter George Agnew Reid (Wingham, Ont. 1860–1947 Toronto) and his paintings; correspondence with Helen Kemp Frye; lists of paintings; an essay by the artist and a programme for the 150th anniversary (1957) of Jarvis Collegiate Institute, Toronto.

Series comprises a sketchbook belonging to Arthur George Marx, Suzy Lake’s grandfather, who took art courses at the Detroit Institute of Arts. Sketchbook contains graphite and charcoal drawings, and notes on art classes.

Series comprises F.H. Varley’s calendar-agenda books with notations for appointments, addresses and other memoranda. Pages in some items include graphite sketches. Item titles are chiefly from the title pages or covers of the items.