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Archival description
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Peggy Gale fonds

  • LA.SC151
  • Fonds
  • 1963-2016

Fonds consists of documentation of Peggy Gale’s career as an independent writer and curator in Canada with projects in the US, Europe, Brazil, and Japan. Accumulated content includes records of curated exhibitions, publications, photographs and slides, ephemera, essays, biographical information on artists, Gale’s research notes from various projects, written correspondence with artists and artist run centres, and audio recordings of lectures and interviews.

Gale, Peggy, 1944-

Micah Lexier Fonds

  • LA.SC153
  • Fonds
  • 1979-2015

Fonds consists of the working papers of Micah Lexier. Items include correspondence, sketches, project descriptions and proposals, press clippings, publicity materials, and other documents pertaining to the design and fabrication of artworks.

Lexier, Micah

General Idea collection

  • LA.SC136
  • Collection
  • 1972-2014

Collection consists of General Idea ephemera including exhibition and performance invitations, postcards, flyers, tickets and similar items.

General Idea (Firm)

Sorel Etrog fonds

  • LA.SC132
  • Fonds
  • 1921-2012

Fonds consists of the records of the life and work of Sorel Etrog, including his personal, professional and literary correspondence; records of exhibitions and of acquisitions of his work by various galleries and collectors; administrative records related to various projects and collaborations by the artist; preparatory and experimental works on paper (“study drawings”); a selection of preparatory maquettes for sculptures; publicity materials including exhibition invitations and press clippings; and comprehensive documentation (photographs and lists) of the artist’s finished work. Three paintings by art collector and patron Samuel Zacks are also included.

Etrog, Sorel, 1933-2014

Pamela Harris Spence Bay collection

  • LA.SC126
  • Collection
  • 1971-2012, predominantly 1972-1976

The collection comprises archival material related to Harris’s photographic work from her time in Spence Bay, as well as that of the darkroom project she conducted while living there. The archival collection consists of Pamela Harris’ original contact sheets; her active and passive correspondence; documentation, publicity and text panels related to her exhibitions of Spence Bay photographs; audio recordings of interviews with people she met and worked with in Spence Bay; and related materials from the 1973 Women’s Kit. It includes the 28 b&w photographs taken by the Inuit women participants of the concurrent natural dyes workshop and the related text panels exhibited at the Artic Women’s Craft Conference and TD Centre in 1974, as well as documentation of their work in the Darkroom Project and the resulting exhibition. It also includes a questionnaire designed and distributed by Pamela Harris and colleague Paul Carter to other documentary photographers during this same time period.

Harris, Pamela

Gallery, dealer and associate files

Series comprises files kept by Gallery Moos on other galleries (public and private), art dealers, auction houses and associated art organizations, typically containing correspondence, lists of works of art, invoices and receipts. Files are arranged alphabetically. .

Gallery Moos

Gallery Moos fonds

  • LA.SC090
  • Fonds
  • 1956-2011

Fonds consists of corporate records of Gallery Moos, including files on artists and associated dealers and galleries, art fair participation and travel, business correspondence, publishing and administrative records and the records of David Moos and gallery director Gerard Jennings. Fonds also contains the gallery’s published material, including exhibition invitations and catalogues, posters, and limited edition publications. Two films on gallery artist Gershon Iskowitz are also included.
The accrual of 2004 consists of Series 8 and Series 9, listed below. In 2012 the accrual of material from Gallery Moos augmented Series 1–6, 8 and 9, and added Series 10–14.

Moos, Walter, 1926-2013

Personal Correspondence

Series is comprised of correspondence sent to and from Robert Fones over the past 55 years, the bulk of which consists of personal letters and correspondence art received by Robert Fones from 1969 to 1975 from artists and writers from Vancouver, from the San Francisco Bay area, New York, Toronto and southwestern Ontario. It includes correspondence art and zines (consisting of a mixture of collages, manipulated photographs, stamps, letters, drawings, visual poetry, recycled images often mimeographed or photocopied) from artists such as Victor Coleman (aka Mr. Peanut), Michael Morris (aka Marcel Dot), Anna Banana, Dr. and Lady Brute, Michael Binder (aka Cloud), General Idea, Hank Bull, Chicken Bank, Daddaland, and others. It also includes correspondence from poets and writers such as Michael Ondaatje and Christopher Dewdney.

Fones, Robert

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