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Lucius O'Brien studio journal

  • LA.SC146
  • Discrete item
  • 1882-1895

Item is a notebook used by Lucius O’Brien to record sales of his paintings year by year between 1882 and 1895, including names of purchasers and prices paid, both privately and at exhibitions. Notes in the journal also include income from art lessons. Beginning at the back of the journal on inverted pages (p. 94–[126]) are checklists of names of members of the Ontario Society of Artists and their addresses; with household and other notes.
Extracts from catalogues of art dealers and exhibitors and other material pasted into the journal include items from the Art Association of Montreal; Jno. B. Hall, M.D., Toronto; Thomas McLean’s Gallery in Haymarket, London; Matthews Brothers, Toronto; Dolman & Son Picture Frame Makers &c., London; W. Scott & Sons, Montreal; and the Palette Club, Toronto. Some leaves of pasted items have become detached.
Enclosures (loose) consist of a drawing of a sailing vessel, signed by the artist and dated 1882 (1 leaf); and a letter (1883) from J. Nathan, Burlington Gallery, London (1 leaf).

O’Brien, Lucius Richard

Wyatt Eaton fonds

  • LA.SC003
  • Fonds
  • 1878-1911

Fonds consists of scrapbooks assembled by Canadian artist and author Edmund Morris (1871-1913) of autograph manuscripts of Wyatt Eaton, chiefly on art (especially Italian Renaissance art), and literature. Also included are correspondence of Edmund Morris, Charlotte Eaton and others regarding Wyatt Eaton, and material related to the Society of American Artists.

Eaton, Wyatt

A.H. Howard fonds

  • LA.SC115
  • Fonds
  • 1880-1914

Fonds consists of drawings, watercolours and designs of A. H. Howard produced in Toronto between 1880 and 1914, especially in the sketchbooks in which Howard drew Ontario landscapes and towns, flowers, trees, human figures, factory interiors and other subjects. Similar drawings and watercolours are contained in two albums and a portfolio. Also included are examples of his decorative and calligraphic work from illuminated presentation addresses, certificates, bookplates and other materials.
Contains series:

  1. Portfolio and albums
  2. Sketchbooks
  3. Decorative designs and drawings

Howard, Alfred Harold

Maud Yarker Sketchbook

  • LA.SC129
  • Discrete item
  • [191-]?

The sketchbook contains 27 naturalistic watercolours of Canadian wildflowers painted by Maud Yarker, with 1 partial (torn) sheet of watercolour possibly detached from another sketchbook.

Yarker, Maud

Emily Elliott collection

  • LA.SC004
  • Collection
  • 1861-1925

Collection consists of illustrations clipped from fashion magazines, general-interest periodicals, children’s
picture books and other illustrated books, bringing together the work of over 275 illustrators published
between the 1860s and the 1920s, chiefly in the United States, Britain and Canada.
Fashion magazine covers in series 1 featuring imaginative and extravagant costumes are full colour
lithographs, as are most of the sheets in series 4 (Illustrations from publications for children). Illustrations
in series 2 (Book and magazine illustrations) are largely achromatic images depicting events in fictional
and poetic works, and include printed black-and-white wood engravings. Many folders contain a single
sheet of illustration by one artist, while series 3 (Gustave Doré illustrations) consists of more than two
hundred published wood engravings by prolific French artist Gustave Doré. The collection of over 3000
items offers a perspective on the era of illustration by graphic artists before it was largely superseded
(except in children’s literature) by photography.

Elliott, Emily Louise (Orr)

Gertrude Spurr Cutts conservation notebook

  • LA.SC128
  • Discrete item
  • [192-]

Item contains handwritten instructions on how to restore paintings, with recipes for cleaning compounds and canvas preparations, along with brief records of work done by Gertrude Spurr Cutts, perhaps in Port Perry, Ont. in the 1920s and 1930s for several named clients. Records in the notebook include the titles and dimensions of the paintings restored, with amounts charged. The 1845 edition of Henry Mogford’s Hand-book for the preservation of pictures (London: Winsor and Newton) is cited as a source of guidance on paintings restoration.

Cutts, Gertrude Spurr

M.O. Hammond collection

  • LA.SC032
  • Collection
  • 1905-[192-]

Collection consists of early-20th-century photographs of Canadian historical figures and Canadian public monuments taken by M.O. Hammond and others. Portrait photograph subjects include Canadian poets Bliss Carman and Charles G.D. Roberts and artists Walter S. Allward, E.J. Dinsmore and Charles Eduard Huot. The collection also includes a copy print of a drawing of the first director of the National Gallery of Canada and studio portraits from 1905 of Canadan prime minister Robert Laird Borden and his wife Laura Borden. The memorials photographed are chiefly by British-Canadian sculptor Alfred Howell, with a photo of a statue of a soldier by Emanuel Hahn. Some photographs in the collection are by M.O. Hammond and the studio portraits are credited to Pittaway Studio (Ottawa).

Hammond, M.O. (Melvin Ormond)

J. Loxton Rawbon fonds

  • LA.SC099
  • Fonds
  • [187-]-1942

Fonds includes an album (disbound) containing 45 photographs of paintings and prints restored by Rawbon, with a typed description of the "Rawbon Process" signed and dated, 1921. Collectors and collections mentioned include: Elliott W. Atkins, Toronto; Hôtel Dieu, Kingston; Major Kenneth C. Macpherson, Ottawa; Col. W. O’Brien, Shanty Bay; D.A. Story, Halifax; R.E. Cooper, Victoria; A.J. Gough, Toronto; C.S. Gzowski, Toronto; Mrs. John Small, Toronto; Henry O’Brien, K.C., Toronto; Walker House, Toronto. Fonds also includes a notebook containing a list of “Canadian Artists: Members of the Royal Canadian Academy and The Ontario Society of Artists”, September 1922. The back pages of the notebook contain records of sales of “Oxford” and “Lusterize” polish formulas, and of free sample canvas stretchers sent out to clients. Fonds also includes 14 prizes and diplomas won in art and photography competitions at fairs in southern Ontario (1874-1887); 2 photographs of J. Loxton Rawbon; notes on art restoration methods; correspondence and testimonials; and press clippings related to Rawbon’s career.

Rawbon, J. Loxton

Mary E. Wrinch fonds

  • LA.SC130
  • Fonds
  • ca.1917-ca.1939

Fonds consists of a single scrapbook compiled by the artist, containing press clippings, illustrations clipped from exhibition catalogues, and four photographs.

Wrinch, Mary E.

Canadian Art Club fonds

  • LA.SC009
  • Fonds
  • 1885-1949, predominant 1907-1915

Fonds consists of the records of the Canadian Art Club, including minutes of the organization’s meetings, constitution and by-laws, membership lists, photographs of artworks, documents of incorporation (1909) and ultimate dissolution (1930s) and club financial records in the form of ledgers and a collection of bills and receipts. Materials related to club exhibitions and dinners are supplemented by an extensive collection of clippings from reviews in newspapers of the day. Correspondence forms a significant portion of the papers, especially that to and from Edmund Morris, secretary of the club for several years. Papers related to the founding of the Art Museum of Toronto and the Central School of Industrial Art and Design are also included. Fonds is comprised of the following series: 1. Minutebook 2. Transcribed minutes and other documents 3. Records of annual banquets and exhibitions 4. Club lists 5. Photographs 6. Replies to dinner invitations 7. Scrapbooks/press clippings 8. Bills and receipts 9. Cash book 10. Records of club dissolution 11. Notes on a Toronto art school 12. Miscellaneous papers 13. Correspondence (Edgar J. Stone collection)

Canadian Art Club (Toronto, Ont.)

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