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Fonds consists of the working papers of Micah Lexier. Items include correspondence, sketches, computer renderings, project descriptions and proposals, press clippings, publicity materials, photographs, and other documents pertaining to the design and fabrication of artworks.

Fonds consists of a set of published writings on Leslie Mezei's work in computer art; the typescript and accompanying photographic illustrations of his book Computer Art: An International Portfolio; and digitized images and films that document his practice.

Fonds consists of records of the artistic and academic career of Barbara Astman, chiefly in Toronto from the 1960s to the second decade of the 21st century, including photographs of her projects and exhibitions, correspondence and textual documentation of projects, personal and other photos and journals, and some audiovisual materials.

Fonds consists of documentation of Chitty's creative process as an interdisciplinary artist, including plans, notes, technical drawings of set designs, posters, promotional material, press, photographs, scripts, correspondence, grant materials, slides used during performances, and photographs of live performances and installations. Fonds also consists of professional records documenting Chitty's role as an arts administrator and curator with Cultural Desire Projects, Western Front, the Canadian Alliance of Dance Artists, the St. Catharines and Area Arts Council, and ANNPAC; speaking notes pertaining to artist talks and conference presentations; as well as drafts and manuscripts pertaining to her editorial and writing work.

Series contains records relating to the work of the Prints and Drawings department at the Art Gallery of Ontario. These files document the work of acquiring and maintaining works for the AGO’s Prints and Drawings collection; planning, researching, organizing exhibitions; producing catalogues; and hosting exhibition openings.

Fonds consists of the administrative records of Photo Eclipse, including its founding and operation of The Photo Passage gallery at Harbourfront. Fonds also includes photographic documentation of several exhibitions held at The Photo Passage, and records of advocacy efforts related to public support for photography in Canada in which Pamela Harris was involved.

Collection consists of a nearly complete run of Canadian Art Magazine, including issues of Maritime Art and artscanada, 1943-2019.

Fonds consists of records of Janet Dewan's research on a variety of subjects including Linnaeus Tripe and other 19th- and early 20th-century photographers represented in the AGO collection.

Fonds consists of documentation of Tanya Mars' career as a performance artist and video artist, including photographic, video, and audio documentation of her live performances; raw footage used in the filming of her video artworks; slides, video projections, and soundtracks used as live elements during her performances; and textual records documenting her creative process. Fonds also consists of professional records documenting her involvement with Powerhouse Gallery, ANNPAC, 7A*11d, and Parallelogramme magazine in addition to her role as a professor at the University of Toronto and the Nova Scotia College of Art and Design.