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Series consists of photographs of Iskowitz’s family; images of Kielce, Poland; portraits of the artist and images of his studio; photographs of exhibition openings; and images of art works. Series includes one album, largely empty, containing photographs of Iskowitz from the mid-late 1940s. Series also includes a hand-crafted book of matches, the cover of which is made from photographs of a group seated at a banquet table (perhaps at the 1972 Venice Biennale?).

Series consists of press clippings about Iskowitz’s career, and a portfolio of promotional material from Canada’s pavilion at the Venice Biennale, 1972, featuring images of Iskowitz and his work. Series also includes a laminated offprint from Art in America, 1983.

Series consists of various identity documents from throughout Iskowitz’s life, from his Displaced Person’s pass to his Ontario Senior Citizen card.

Series consists of typescript writings about Iskowitz.

Series includes items of personal correspondence such as greeting cards and get-well cards; miscellaneous notes and pieces of paper presumably gathered from Iskowitz’s residence following his death; one address book.

Series consists of three audiovisual items relating to Iskowitz’s career.

One framed photograph of Iskowitz's family (parents and siblings). Date is estimated based on children's apparent age

Most of the photographs in this file depict Kielce, Poland; date is estimated to be 1960s based on clothing and other image details. Family photographs include apparent vintage print and several copies of family group as above; image of Iskowitz's mother (?) and unidentified woman; unidentified family group apparently from 1910s. One photograph depicts men in concentration camp uniforms, Iskowitz not apparently among them.

4 prints of art works from 1940s (2 concentration camp scenes, 2 portraits); 1 slide from 1961; 8 slides from 1974

Portraits of Iskowitz by Lois Steen (1971), Tess Boudreau (1963), and Michel Lambeth (1961-62)