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Archival description
Fonds
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Women's Art Resource Centre fonds

  • LA.SC139
  • Fonds

Fonds consists of material documenting the Women's Art Resource Centre as a gallery and provider of educational programming, facilities, and research resources to support and promote women artists, including photographs, slides, exhibition promotion, workshop flyers, brochures, posters, newspaper clippings, correspondence, and publications.

Women's Art Resource Centre

Jack Bush fonds

  • LA.SC037
  • Fonds
  • 1930-1981

Fonds consists of personal and professional records of Canadian painter Jack Bush, created chiefly in Toronto during the 1930s to 1970s: his personal diaries; record books containing notes on his paintings; photographs (slides, transparencies, negatives and prints) largely of his paintings but also of his studio, exhibit installations and other subjects; with scrapbooks of newspaper and magazine clippings about the artist, exhibition notices, examples of his commercial art, and further records of his paintings.
Contains series:

  1. Diaries
  2. Record books
  3. Photographs
  4. Scrapbooks
  5. Commercial art

Bush, Jack

Jack Pollock fonds

  • LA.SC165
  • Fonds
  • 1920-[199-]

Fonds consists of the personal records of Jack Pollock, including his writings (unpublished and manuscript); selected correspondence, experimental works on paper, publicity material such as press clippings, photographs of the artist and his associates, and related personal documents.

Pollock, Jack

Pollock Gallery fonds

  • LA.SC154
  • Fonds
  • 1916–1982, predominant 1962–1981

Fonds consists of administrative records of the Pollock Gallery in Toronto during the period 1967–1982; gallery correspondence; files on gallery artists and others; photographs of sculptors Frances Loring and Florence Wyle; records of gallery owner Jack Pollock; and material related to gallery artist Norval Morrisseau and to a book about him co-written by Jack Pollock.

Pollock Gallery (Toronto, Ont.)

Art Directors Club, Toronto fonds

  • LA.SC145
  • Fonds
  • [192-]-1972, predominant 1953-1958

Fonds consists of Art Directors Club, Toronto official records, correspondence, records of club meetings, committee reports, membership records, exhibitions and awards dinner records, and other material.

Art Directors Club, Toronto

A Space fonds

  • LA.SC059
  • Fonds
  • [ca. 1970]-[ca. 1990]

Fonds consists of the administrative records of A Space Gallery from its founding until approximately 1990, including artist files, gallery/organization files, grant applications, proposals received, and other administrative records.

A Space

Wyatt Eaton fonds

  • LA.SC003
  • Fonds
  • 1878-1911

Fonds consists of scrapbooks assembled by Canadian artist and author Edmund Morris (1871-1913) of autograph manuscripts of Wyatt Eaton, chiefly on art (especially Italian Renaissance art), and literature. Also included are correspondence of Edmund Morris, Charlotte Eaton and others regarding Wyatt Eaton, and material related to the Society of American Artists.

Eaton, Wyatt

Barbara Astman fonds

  • LA.SC123
  • Fonds
  • 1951–2009

Fonds consists of records of the artistic and academic career of Barbara Astman, chiefly in Toronto from the 1960s to the first decade of the 21st century, including photographs of her projects and exhibitions, correspondence and textual documentation of projects, personal and other photos and journals, and some audiovisual materials.

Astman, Barbara

Jules Wegman collection

  • LA.SC107
  • Fonds
  • 1865-1867

The collection consists of 45 architectural drawings in ink and wash, comprising elevations and details of major Italian and German churches, probably drawn as student projects.

Wegman, Jules Frederic (1865-1931)

Fairlie Family Fonds

  • LA.SC131
  • Fonds
  • ca. 1894 – 1986

Fonds consists of materials created, received, or collected by members of the Fairlie family. This includes textual records, personal and professional correspondence, financial and legal documents, newspapers and articles, publications, posters and promotional material from Alan’s filmmaking career, as well as photographic material such as studio portraits, film stills, and a number of negatives depicting travel destinations and events.

Fairlie family

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