Showing 246 results

Series comprises approximately 240 printed sheets of black-and-white and greyscale wood engravings (prints) from drawings by French printmaker, painter and sculptor Gustave Doré (1832–1883). Perhaps the oldest sheets of illustrations in this series are in a partial, disbound copy of Doré’s Two hundred sketches humorous and grotesque, while other leaves with images are from The beautiful story by James William Buel (1849–1920), and from editions of Inferno by Dante Alighieri (1235–1321) and Don Quixote by Miguel de Cervantes Saavedra (1547–1616).

United States from the mid-19th century to around 1915. These include the work of 132 artists, for which predominant sources were monthly and weekly periodicals featuring fiction with captioned narrative illustrations, including The Century magazine, Collier’s, Cosmopolitan, Cornhill magazine, The delineator, Everybody’s magazine, Good words, Harper’s monthly magazine, Harper’s weekly, The leisure hour, London society, McClure’s magazine, Scribner’s magazine and Scribner’s monthly.
Several illustrations come from mid-19th-century books such as those created by Myles Birket Foster for his Beauties of English landscape (London : George Routledge and Sons, 1874), by Thomas Creswick for Poems by Alfred Tennyson (London : E. Moxon & Co., 1866) and by John Dawson Watson for The pilgrim’s progress by John Bunyan (London : Routledge, Warne and Routledge, 1861).
Other sources were general-interest magazines and fashion magazines, including The bookman, Harper’s bazar, The illustrated London news, Life and Vanity fair, that contained sections featuring the artwork of illustrators. A small number of magazine covers in colour and some pages from U.S. newspapers are included The folder of illustrations by John Tenniel includes an issue of The art journal ([April], 1901, designated “The art annual”) consisting of “The life and works of Sir John Tenniel” by Cosmo Monkhouse.

Series comprises sheets of illustrations clipped chiefly from early-20th-century children’s books and magazines and from material intended for children or picturing children in periodicals such as Collier’s, Country life and The delineator. The illustrations accompany fairy tales and children’s stories, depict children at play, or portray animals. Series consists of the work of 62 identified artists, including Frank Adams, Frank Godwin, George Vernon Stokes, Jessie Willcox Smith and Blanche Fisher Wright. Illustrations are also taken from The child’s natural history (Boston : DeWolf Fiske, [190-?]) with pictures by unidentified artists, and Favourite animals (London : Dean & Son, [1905?]) with pictures by Stanley Berkeley (1855–1909) and other artists not named. Illustrations by Jessie Willcox Smith include 3 magazine covers with images of children from Good housekeeping, Jan. 1918 and Jan. 1919, and The ladies’ home journal, Nov. 1912.
The number of items per illustrator extends from a single sheet in the case of 25 of the artists to the more numerous illustrations (47) by Frank Adams. Many sheets are illustrated on both sides. The earliest illustrations are probably those by Thomas Landseer from the 1880s and the latest by Frank Godwin (1925).

Series comprises photographs of artworks by Hundertwasser, Emily Carr and Raymond Mason, with a booklet on Hundertwasser and an envelope (sender: J. Plaskett).

Series comprises committee reports and minutes, correspondence, monthly bulletins of the gallery, exhibition notices, lists of donors, and accessions lists.

Series comprises correspondence, receipts, invoices, floor plans, photographs and lists of artworks related to acquiring, exhibiting, maintaining and lending works from the J.S. McLean Collection (at the McLean residence and the offices of Canada Packers), along with art gallery notices, exhibition catalogues, booklets on art subjects and newspaper clippings. Correspondents include Lawren Harris, A.J. Casson, A.Y. Jackson, Paraskeva Clark, Carl Schaefer, Leonard Brooks, Joe Plaskett and Ada Carmichael (wife of Franklin Carmichael).

Series comprises photocopies of correspondence between Mrs Frank Cooper and the Art Gallery of Toronto regarding the purchase by J.S. McLean of the painting Round Lake, Mud Bay (1915) by Tom Thomson.

Series is comprised of correspondence sent to and from Robert Fones over the past 55 years, the bulk of which consists of personal letters and correspondence art received by Robert Fones from 1969 to 1975 from artists and writers from Vancouver, from the San Francisco Bay area, New York, Toronto and southwestern Ontario. It includes correspondence art and zines (consisting of a mixture of collages, manipulated photographs, stamps, letters, drawings, visual poetry, recycled images often mimeographed or photocopied) from artists such as Victor Coleman (aka Mr. Peanut), Michael Morris (aka Marcel Dot), Anna Banana, Dr. and Lady Brute, Michael Binder (aka Cloud), General Idea, Hank Bull, Chicken Bank, Daddaland, and others. It also includes correspondence from poets and writers such as Michael Ondaatje and Christopher Dewdney.

Series is comprised of the journals of Robert Fones. The journals contain records and notations of daily life and art production; reflections on his personal life; and notes on his creative processes and inspirations. Often they include insertions of found images, product labels, pages from instruction manuals, photographs, letters, ephemera and samples of the artist’s poetry and writing. There are numerous connections between these books and the artist’s finished works. While several of the books contain drawings and collages, journal entries are the predominant feature, distinguishing them from the sketchbooks in Series 8. There are four daily diaries in this series. This series also includes one address book, undated.

This series is comprised of research material on subjects Robert Fones found inspirational and/or influenced his artistic endeavours over the course of his lifetime. These include files on different artistic processes, tools and equipment as well as family history, his grade school and high school records, and his travels. It also includes files on artists and other individuals who greatly influenced his career and/or with whom he had close personal/professional ties, as well as on individual works of art, graphic design, typeface design and other subjects he explored in his work. It includes draft copies of artist talks he has given over the years are included, as well as portraits of him taken by Arnaud Maggs for the 1999 Toronto Arts Awards.