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Fonds consists of personal and professional records of Michael Bidner, primarily created during the mid-1970s to 1989. Files pertain to various projects during Bidner’s artistic career and include working files, artwork, the artist’s publications, correspondence, ephemera, photographs and slides.

Fonds consists of a set of published writings on Leslie Mezei's work in computer art; the typescript and accompanying photographic illustrations of his book Computer Art: An International Portfolio; and digitized images and films that document his practice.

Fonds consists of the personal records of Jack Pollock, including his writings (unpublished and manuscript); selected correspondence, experimental works on paper, publicity material such as press clippings, photographs of the artist and his associates, and related personal documents.

Collection consists of commercially printed maps designed by illustrators Stanley F. Turner, Jerrine Wells Kinton and Ernest Dudley Chase.

Fonds documents Elke Town’s activity in the visual arts in Toronto between the years 1974 and 1991. The files are related to various positions she held, beginning with A Space in 1974, and the curatorial work she carried out at the Art Gallery of Ontario, Gallery 76 at OCAD, Art Metropole and as an independent curator. There are also files related to her writing about visual art and video for numerous publications such as C Magazine, Vanguard, Parachute and Canadian Art.

Fonds consists of documentation of Chitty's creative process as an interdisciplinary artist, including plans, notes, technical drawings of set designs, posters, promotional material, press, photographs, scripts, correspondence, grant materials, slides used during performances, and photographs of live performances and installations. Fonds also consists of professional records documenting Chitty's role as an arts administrator and curator with Cultural Desire Projects, Western Front, the Canadian Alliance of Dance Artists, the St. Catharines and Area Arts Council, and ANNPAC; speaking notes pertaining to artist talks and conference presentations; as well as drafts and manuscripts pertaining to her editorial and writing work.

Fonds consists of scrapbooks assembled by Canadian artist and author Edmund Morris (1871-1913) of autograph manuscripts of Wyatt Eaton, chiefly on art (especially Italian Renaissance art), and literature. Also included are correspondence of Edmund Morris, Charlotte Eaton and others regarding Wyatt Eaton, and material related to the Society of American Artists.

Fonds consists of documentation of Tanya Mars' career as a performance artist and video artist, including photographic, video, and audio documentation of her live performances; raw footage used in the filming of her video artworks; slides, video projections, and soundtracks used as live elements during her performances; and textual records documenting her creative process. Fonds also consists of professional records documenting her involvement with Powerhouse Gallery, ANNPAC, 7A*11d, and Parallelogramme magazine in addition to her role as a professor at the University of Toronto and the Nova Scotia College of Art and Design.

Fonds consists of administrative records of the Pollock Gallery in Toronto during the period 1967–1982; gallery correspondence; files on gallery artists and others; photographs of sculptors Frances Loring and Florence Wyle; records of gallery owner Jack Pollock; and material related to gallery artist Norval Morrisseau and to a book about him co-written by Jack Pollock.