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File contains photo portraits of the artist, views of his studio and photos of his paintings.

File contains photos of the artist and his (second) wife Mary Wrinch Reid, his studio and his paintings.

Series comprises a photo of Canadian painter Mary Hiester Reid (Reading, Pa. 1854–1921 Toronto), with installation shots of the 1922 memorial exhibition of her paintings at the Art Gallery of Toronto, and a photo of an oil portrait of her by her husband George Agnew Reid.

File contains correspondence from Helen Kemp Frye of the Art Gallery of Toronto, 1939-1940; a list of "Canadian historical paintings" by George Agnew Reid; a list of "Historical pictures of Canadian life" and "The coming of the white man" by George Agnew Reid; with a Jarvis Collegiate Institute 150th anniversary programme (1 June 1957).

File contains photos of Mary Heister Reid and of a portrait painted by her husband, George Agnew Reid. Photos are matted.

File contains installation shots of the Memorial Exhibition of Mary Hiester Reid at the Art Gallery of Toronto in October 1922.

Series comprises correspondence of Canadian painter Mary Wrinch Reid (Kirby-le-Soken, England 1877–1969 Toronto), with lists of exhibitions and paintings and biographical information, photographs of the artist, a watercolour and other material.

File contains an essay, "Colour block process," a list of exhibitions 1894-1935, lists of artworks, a list of biographical information and a biographical sketch for the exhibition "Paintings by Mary Wrinch," Jerrold Morris Gallery, Toronto [1966].

File contains Mary Wrinch Reid's correspondence with the National War Committee, YMCA; the Society of Canadian Painter-Etchers and Engravers; the Royal Ontario Museum; the Art Gallery of Toronto; The Bishop Strachan School; the Windsor Art Association; the Ontario Society of Artists; Colin S. MacDonald; J. Russell Harper; the National Gallery of Canada; Paul Duval; the Art Gallery of Hamilton; Jerrold Morris Gallery; and Jones and Morris Commercial Photographers.

File contains photos of Mary Wrinch Reid; a watercolour of two cloisonné vases by Clement Heaton (signed); a reproduction of the watercolour Grey Old London (1908) by Owen Staples; and a calendar for 1911, Great Masters of Ukiyo-e.