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Fonds consists of records of the artistic and academic career of Barbara Astman, chiefly in Toronto from the 1960s to the second decade of the 21st century, including photographs of her projects and exhibitions, correspondence and textual documentation of projects, personal and other photos and journals, and some audiovisual materials.

Series comprises photographs, chiefly slides, documenting Barbara Astman’s work in Toronto and elsewhere between 1968 and 2006.

Series comprises test prints, experiments with processes and media, and other experimental work by Barbara Astman from throughout her career. Many items in this series are intimately related to finished work by the artist, but are not considered actual works of art.

Accrual consists of xerox (electrophotographic) prints created by Barbara Astman and photographic and print components of those works.

Series consists of photographs and related graphic materials produced as part of the preparatory material for Barbara Astman’s works.

Accrual consists of source materials and collage components relating to Barbara Astman’s works.

Accrual consists of personal correspondence with Barbara Astman’s friends and family.

Accrual consists of works by other artists given as gifts to Barbara Astman, and related correspondence.

File consists of art projects completed by Barbara Astman while she was in high school.

Series consists of annual income tax returns and related receipts for art-related expenses arising from Barbara Astman’s art practice.

Series comprises records of Barbara Astman’s public art projects (Calgary Olympics floor; Don Mills Centre, Simcoe Place, National Trade Centre, St. Laurent Park Leisure Centre, Bay Hayter) and exhibitions, including photographs, correspondence and other textual material and several objects.