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Series consists primarily of commercially printed posters for John Boyle’s solo and group exhibitions. Series also includes a poster designed by Boyle for the Blyth Festival, and a poster for Boyle’s play Canadian Heroes Series at Theatre Passe Muraille in Toronto.

Series consists of multiples, preparatory works, prints and decorative art items in several media by John Boyle.

Series consists of computer printout lists of art works with descriptive data, compiled by Gretchen McCulloch and curator Barry Lord for exhibition “John Boyle: A Retrospective” at the London Regional Art and Historical Museum (now Museum London).

Series consists of drafts and manuscripts for John Boyle’s novels The Gergovnians, No Angel Came [a.k.a. The Provincial Wanderer], and The Peregrinations and Permutations of a Young Artist in Canada. Series also contains a draft of a short essay on Canada as a colony.

Series consists of correspondence and related documentation concerning art sales and exhibition loans, participation in panels and artist-in-residence programmes, and published writings; press clippings; grant applications; and other material. Filed together chronologically by the artist and titled “studio business”.

Series consists of documents relating to John Boyle’s involvement with the Niagara Artists’ Company (NAC), including minutes of meetings, financial statements, mailing lists, information circulars, correspondence, notes, and drafts of speeches. Files are arranged in approximate chronological order. Series also includes three pencil sketches by John Boyle.

Series consists of minutes of CARO meetings, related correspondence, typescript articles by John Boyle for publication in CAROT newsletter, and other related material. Files are arranged in approximate chronological order.

Series consists of correspondence, press clippings, photographs and other material documenting concerts and tours by the Nihilist Spasm Band. Files are arranged in approximate chronological order.

Series consists of drawings in black ink, marker and graphite studies that document John Boyle’s earliest work as an artist, as well as a photograph and 5 watercolours. The ink/marker drawings were executed on finger-painting paper, material at hand from his job as an elementary teacher.

Series consists of financial receipts, invoices, income tax returns, and related correspondence, including art sales records from Nancy Poole’s Studio. Records have been arranged chronologically by the creator.