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Archival description
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[Silkscreen prints]

Fabric is torn in several places, consult archivist for handling. Further conservation is required.

Jack Chambers fonds

  • LA.SC055
  • Fonds
  • [ca. 1920]-1991, predominant 1961-1978

Fonds consists of drawings and sketchbooks, working notes and storyboards for Chambers’ films, aesthetic and philosophical writings, source photographs for artworks, personal photographs and objects, professional correspondence, transcriptions of interviews with the artist, critical reviews, material relating to posthumous exhibitions, financial records, personal correspondence on the artist’s health problems, files relating to Canadian Artists’ Representation, works by other artists, and a collection of books. Fonds consists of the following series: Correspondence Interview transcriptions Publicity material Critical articles Exhibition files Grant applications Canadian Artists’ Representation files Financial records Jack Chambers Memorial Foundation files Signatures of the artist Film projects Writings “Red and Green” manuscript Miscellaneous Personal effects Secondary school records Honours Drawings and sketchbooks Works by other artists Photographs and secondary images Secondary publications

Chambers, Jack

File: Publicity

Small posters, promotional flyers, invitations and and other printed material including the first issue of Art & Communication, the CEAC newsletter later called Strike. The monthly schedule for October [1976] is included, with notice of the Steve Paxton performance that marks the first known performance of Contact Improvisation in Toronto. Includes information on Philip Glass Ensemble, Paul Sharits, Wyndham Wise, Richard Shoichet, The Dishes, Lubomyr Melnyk, Elizabeth Chitty, W.A.V.E., Noel Harding, Honey Novick, Terry McGlade and others. A later publication relating to digital art and music is also in the file.

Posters

1.'The first European tour of Canadian performance art in Belgium, Italy, Scotland, Sweden', containing photographs and statements by Missing Associates, John Faichney and Ron Gillespie [Fall, 1976]. 4 copies 2.The Poles, "rock n' roll ritual" March 18-19 [1976?], with photograph by Edee Steiner.3.'Cannibalism', Sept 18-26 [1977?], with performances, films and exhibits by Heather MacDonald, Shitbandit, Larry Dubin & Michael Snow, Yalkut & Kusama, Wonderdog, Hermann Nitsch, Wendy Lee-Knox, Bruce Eves, Willoughby Sharp, New York New York and Vittor Pisani. 2. Exhibition of Detroit and Toronto artists, December 16-17 [1977?], co-presented by CEAC and The Alternative Space, Detroit. 3.'Dramatic space for internal dialogue', Noel Harding, October 9-23 [1976].2. 'Cultural initiative', an open discussion towards cultural initiatives. Nov. 1, 1979.

Strike

Vol. 2, No. 2. "Dissidence in the 1978 Venice Biennale (joint statement by the Central Strike Committee: Amerigo Marras, Roy Pelletier, Bob Reid, Bruce Eves, Lily Chiro, and Paul McLelland)" English and Italian editions.

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