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Series consists of correspondence and related documentation concerning art sales and exhibition loans, participation in panels and artist-in-residence programmes, and published writings; press clippings; grant applications; and other material. Filed together chronologically by the artist and titled “studio business”.

Series comprises posters for exhibitions held by Gallery Moos. Material received in 2002 (29 posters) was supplemented with an accrual of 26 posters in 2012.

Series comprises of a set of five binders containing various textual records and graphic material compiled by Michael Bidner. Materials consist of black and white photocopies, collage prints, correspondence, photographs, slides, negatives and transparencies. Bidner organized and structured the binder contents using divider pages with brief paragraphs of text documenting each section. Sections are arranged chronologically and a date is given on the descriptive text. The fifth binder contains only slides and lacks any descriptive notations. Materials relate to high school plays, Bidner’s art catalogues, sales of his work, exhibition invitations, reviews and publicity, awards and grants, studio spaces, and art pieces. Subjects of photographs and slides include the artist, studio space, art pieces, and scenes of art-making or in-progress works.

Series consists of Tim Zuck’s personal and professional correspondence and includes letters, postcards, e-mails, faxes, notes, photographs and slides of other artists’ work, exhibition notices, and artist CVs. Filed according to name of correspondent.

Series comprises photographs, transparencies, slides, index cards, lists, and other records documenting K.M. Graham’s artworks and exhibitions.

Series comprises records of the management of the Pollock Gallery during various periods of its activity
between 1967 and 1982, including records of transactions with clients and other art galleries; financial
records; files on works of art consigned to the gallery for exhibition and sale by artists, or for resale by
collectors; records of consignment of works to rental services of art museums; accounting for art gallery
purchases from art dealers and artists; and related material.

Series consists of published material, including exhibition pamphlets and catalogues, acquired with the Tim Zuck fonds. Series also includes 2 dust jackets with reproductions of Tim Zuck’s painting, Bird and Memorial, 1980. A list of these publications is appended to this finding aid.

Series consists of personal items belonging to Robert Markle, including his artist’s palette; a card wallet; and two passports.

Series consists of minutes of CARO meetings, related correspondence, typescript articles by John Boyle for publication in CAROT newsletter, and other related material. Files are arranged in approximate chronological order.

Series is comprised of correspondence sent to and from Robert Fones over the past 55 years, the bulk of which consists of personal letters and correspondence art received by Robert Fones from 1969 to 1975 from artists and writers from Vancouver, from the San Francisco Bay area, New York, Toronto and southwestern Ontario. It includes correspondence art and zines (consisting of a mixture of collages, manipulated photographs, stamps, letters, drawings, visual poetry, recycled images often mimeographed or photocopied) from artists such as Victor Coleman (aka Mr. Peanut), Michael Morris (aka Marcel Dot), Anna Banana, Dr. and Lady Brute, Michael Binder (aka Cloud), General Idea, Hank Bull, Chicken Bank, Daddaland, and others. It also includes correspondence from poets and writers such as Michael Ondaatje and Christopher Dewdney.