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Series consists of material, including programmes, posters, flyers, correspondence, exhibition and artist statements, and press pertaining to the creation and promotion of exhibitions at Baldwin Street Gallery in addition to exhibitions by members of Baldwin Street Gallery held at other galleries.

Series consists of financial receipts, invoices, income tax returns, and related correspondence, including art sales records from Nancy Poole’s Studio. Records have been arranged chronologically by the creator.

Series consists of Greg Curnoe’s income tax records and various receipts, including 6 ledgers in which he recorded his accounts between 1969 and 1987.

Series consists of 7 sketchbooks containing pen, pencil, charcoal and ink drawings by Robert Markle. 5 of these have been numbered by Marlene Markle, who provided dates and contextual information for these items. Sketchbook #1 also contains work by Graham Coughtry and Gordon Rayner.

Series comprises drawings by K.M. Graham in felt tip pen, ink, graphite, watercolour, and pastel of her travels and of daily life.

Series consists primarily of commercially printed posters for John Boyle’s solo and group exhibitions. Series also includes a poster designed by Boyle for the Blyth Festival, and a poster for Boyle’s play Canadian Heroes Series at Theatre Passe Muraille in Toronto.

Series consists of correspondence between the Baldwin Street Gallery and photographers, curators, other galleries, as well as some personal letters received and sent by Laura Jones and John Phillips.

Series comprises correspondence from Thoreau MacDonald to curator Nancy Robertson Dillow, to other staff at the Art Gallery of Ontario and to collector Thomas Roche Lee; with designs from Christmas cards.

Series is comprised of the business and professional files of Robert Fones. It includes grant applications, awards, income tax returns, and documents relating to the sales and exhibition of his work as well as the publication of his writing. Of note is 21 years of correspondence with Carmen Lamanna, Robert Fones’ first Toronto art dealer from 1970 to 1990, and with S.L Simpson Gallery, which subsequently represented Robert Fones. It also includes correspondence and agreements with regard to his art related teaching career.

Series is comprised of material pertaining to the operations and management of Baldwin Street Gallery, including newsletters and flyers, the sale of photographic equipment, publicity and press materials, grant applications, teaching courses and workshops, and research materials for projects undertaken by members of the Gallery examining sexism in the photography industry and promoting the work of historical and contemporary women photographers.