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Series contains published and unpublished material relating to Panton’s personal and professional life, including correspondence, clippings, lectures, notes, reproductions and photocopies. Correspondence relating to his tenure as President of the Ontario Society of Artists is included, during the controversy involving the secession of the Group of Seven and other matters. Among the papers was a list with file designations (see file 1). The first series follows this arrangement.

Series contains files and publications relating to John Faichney’s involvement with CEAC and the KAA, including publicity material, stationery and periodicals. Also included is the original typed manuscript for the 1976 Symposium on Contextual Art held at CEAC. Material has been arranged chronologically by the archivist.

Series comprises personal correspondence to F.H. Varley’s companion Kathleen McKay from his friends and family as well as business correspondence from public and private art galleries, law firms and others, largely dealing with Varley and his works. Also included are letters from her to Varley early in their friendship. File titles are from original folders.

Series comprises correspondence, receipts, invoices, floor plans, photographs and lists of artworks related to acquiring, exhibiting, maintaining and lending works from the J.S. McLean Collection (at the McLean residence and the offices of Canada Packers), along with art gallery notices, exhibition catalogues, booklets on art subjects and newspaper clippings. Correspondents include Lawren Harris, A.J. Casson, A.Y. Jackson, Paraskeva Clark, Carl Schaefer, Leonard Brooks, Joe Plaskett and Ada Carmichael (wife of Franklin Carmichael).

Series is comprised of the journals of Robert Fones. The journals contain records and notations of daily life and art production; reflections on his personal life; and notes on his creative processes and inspirations. Often they include insertions of found images, product labels, pages from instruction manuals, photographs, letters, ephemera and samples of the artist’s poetry and writing. There are numerous connections between these books and the artist’s finished works. While several of the books contain drawings and collages, journal entries are the predominant feature, distinguishing them from the sketchbooks in Series 8. There are four daily diaries in this series. This series also includes one address book, undated.

Series comprises photos of Jack Pollock while he was director of the Pollock Gallery, miscellaneous personal and professional material, and correspondence.

Series consists of comprised of correspondence with individuals and institutions documenting the Zacks arts-related philanthropic activities in Israel. Enclosures such as minutes of meetings are often included. The files have been grouped together by institution, with single files at the end.

Series comprises detailed lists of works of art by F.H. Varley in the collection of Kathleen McKay with appraised values. File includes other lists of works, loan documents for a Varley exhibition in 1981 and correspondence regarding reproduction of Varley’s work.

Series consists of computer printout lists of art works with descriptive data, compiled by Gretchen McCulloch and curator Barry Lord for exhibition “John Boyle: A Retrospective” at the London Regional Art and Historical Museum (now Museum London).