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Fonds includes an album (disbound) containing 45 photographs of paintings and prints restored by Rawbon, with a typed description of the "Rawbon Process" signed and dated, 1921. Collectors and collections mentioned include: Elliott W. Atkins, Toronto; Hôtel Dieu, Kingston; Major Kenneth C. Macpherson, Ottawa; Col. W. O’Brien, Shanty Bay; D.A. Story, Halifax; R.E. Cooper, Victoria; A.J. Gough, Toronto; C.S. Gzowski, Toronto; Mrs. John Small, Toronto; Henry O’Brien, K.C., Toronto; Walker House, Toronto. Fonds also includes a notebook containing a list of “Canadian Artists: Members of the Royal Canadian Academy and The Ontario Society of Artists”, September 1922. The back pages of the notebook contain records of sales of “Oxford” and “Lusterize” polish formulas, and of free sample canvas stretchers sent out to clients. Fonds also includes 14 prizes and diplomas won in art and photography competitions at fairs in southern Ontario (1874-1887); 2 photographs of J. Loxton Rawbon; notes on art restoration methods; correspondence and testimonials; and press clippings related to Rawbon’s career.

Fonds consists of documentation of the work and activities of members of the ChromaZone Collective; records of the group’s exhibition activity, including posters; and photographs of group members. Fonds also includes records related to the establishment and administration of the Tim Jocelyn Art Foundation, and records of Sibyl Goldstein’s art-related activity following the disbandment of ChromaZone.

Fonds consists of material documenting the Women's Art Resource Centre as a gallery and provider of educational programming, facilities, and research resources to support and promote women artists, including photographs, slides, exhibition promotion, workshop flyers, brochures, posters, newspaper clippings, correspondence, and publications.