Showing 32 results

Collection consists of David Milne Project administrative records created chiefly in the 1980s and 1990s in the Project office at Massey College in the University of Toronto for the purpose of producing a catalogue raisonné of the paintings of Canadian artist David Brown Milne (1882-1953). Collection also includes photocopied materials assembled for researching the artist’s life and works for a biography of Milne (1996) by David Silcox and the catalogue raisonné (1998) by his son David Milne Jr and David Silcox. The activity of the Milne Project ceased after the publication of the catalogue raisonné in 1998.
Milne Project administrative records (series 1 and series 21-40) document the steps taken in developing the catalogue raisonné. They begin in the late 1970s and include research forms created to organize and record data on Milne’s paintings for the two-volume work, files of correspondence, fundraising, financial, editorial/production, book launch, and marketing/publicity materials, some on computer disks; and records of Milne researcher Blodwen Davies.
Research material (series 2 to series 20) consists of photocopies made chiefly in the 1980s of primary sources such as David Brown Milne’s correspondence, essays, diary, autobiography and similar records from Library and Archives Canada, Milne Family records and other sources, and includes photocopied lists of paintings, records of the Picture Loan Society in Toronto and other art dealers and institutions relating to the sale and exhibition of Milne paintings; photocopied clippings from newspapers and magazines; and transcripts of recollections and interviews provided by David Brown Milne’s relatives and contemporaries.

Collection consists of documentation of Greg Curnoe’s life and career as an artist, collected by Nellie Curnoe throughout her son’s life and after his death. The fonds includes Greg Curnoe’s childhood drawings, notes, annotated books and school records; documentation of his artistic activities, including press clippings and exhibition invitations; postcards from Greg Curnoe and his family to his parents; and sympathy cards to Nellie and Gordon Curnoe following Greg Curnoe’s death. Collection is comprised of the following series: 1. Juvenilia 2. Memorabilia 3. Elementary school records 4. Childhood books 5. Artefacts 6. Exhibition documentation 7. Postcards from Greg Curnoe 8. Press clippings 9. Sympathy cards

Collection consists of letters solicited by Donald Buchanan for his study James Wilson Morrice: a biography (Toronto: Ryerson Press, 1936). Correspondents include Léa Cadoret, W. Somerset Maugham, Gerald Faustus Kelly, Charles Prendergast, Elizabeth R. Pennell, Clive Bell, Walter Pach, David Morrice, Pavel Ettinger and Henri Matisse. Also included are a photograph of Morrice, a postcard from him to William Brymner, and photographs of three of his works.

Collection consists of a single series of copy prints (of paintings, drawings and prints), and photos of sculptures and other works of art and architecture, chiefly by 19th- and 20th-century Canadian artists and architects, arranged in alphabetical order by surname, with photos of works by unknown artists at the end of the series. The collection comprises 646 artists and architects, and includes some reproductions of works of art, chiefly clippings. Many of the works of art reproduced in the photographs are in the permanent collection of the Art Gallery of Ontario.

Collection consists of early-20th-century photographs of Canadian historical figures and Canadian public monuments taken by M.O. Hammond and others. Portrait photograph subjects include Canadian poets Bliss Carman and Charles G.D. Roberts and artists Walter S. Allward, E.J. Dinsmore and Charles Eduard Huot. The collection also includes a copy print of a drawing of the first director of the National Gallery of Canada and studio portraits from 1905 of Canadan prime minister Robert Laird Borden and his wife Laura Borden. The memorials photographed are chiefly by British-Canadian sculptor Alfred Howell, with a photo of a statue of a soldier by Emanuel Hahn. Some photographs in the collection are by M.O. Hammond and the studio portraits are credited to Pittaway Studio (Ottawa).

Collection consists of photocopies of W.J. Wood’s correspondence with Group of Seven members and others. Collection also includes photocopies of poems by Wood, exhibition-related records, and selected summaries and transcriptions of correspondence. Material comprising this collection was gathered by curator Christine Boyanoski in the course of her research toward the exhibition William J. Wood: Graphics and Drawings (Art Gallery of Ontario, 1983). The collection is arranged in a single series, in which file titles correspond to sections in Boyanoski’s binders.

The Art Gallery of Ontario Biographical Questionnaires Collection consists of written responses to forms requesting factual information pertaining to the careers of 372 Canadian artists. The Collection consists of printed forms that have been completed and signed by Canadian artists between 1912 and 1979 and a group of 24 responses to questions posed by AGO staff in 1984. The final group is concerned more with the nature of the artist’s work rather than factual and biographical information. The earliest forms were one page in length; basic information regarding birth date, education, exhibitions, awards, publications and a signature was requested. Forms sent out in the 1970’s are two pages; the 1980’s files consist of lengthy responses in essay format to 7 or 8 questions. Two of the artists from the final group submitted audio tapes that have been transcribed. An alphabetical listing of artists can be found in the administration file. Forms were completed in the following years (numbers in parentheses indicate the number of forms completed for a given year): 1912 (69); 1913 (43); 1914 (20); 1915 (16); 1916 (9); 1917 (7); 1918 (17); 1919 (6); 1921 (1); 1922 (1); 1923 (47); 1924 (22); 1925 (23); 1927 (34); 1928 (3); 1929 (1); 1930 (1); 1945 (1); 1974 (3); 1976 (1); 1979 (1); 1984 (24). Fonds is comprised of the following series: 1. Biographical questionnaires 1912-1979 2. Toronto Painting ’84 questionnaires

Collection consists chiefly of copies of photographs of members of the Group of Seven and Tom Thomson taken between 1914 and ca. 1952, along with some original photos taken 1926–1935 of installations of exhibitions of their work in Toronto and Ottawa in the first half of the 20th century.

Collection comprises photographic prints submitted with replies to biographical questionnaires sent by the AGO to Canadian artists between 1912 and 1984. The collection was augmented with 239 photographs purchased from Toronto photographer M.O. Hammond (1876–1934) between 1927 and 1934. Collection also includes photos and copy prints obtained in connection with Gallery exhibitions and photos acquired by other Gallery departments, with news photographs and reproductions of photos from agencies and other institutions. Photos were added to the collection up to the end of the 1990s.
The photographic prints in the collection are chiefly gelatin silver prints but also include chromogenic colour prints, diffusion transfer prints and photos produced by other processes. The collection includes images of 598 artists in studio portraits and snapshots, at exhibition openings and in their studios, and in group photos. Some photographs are annotated with biographical details on verso or in accompanying textual records.

Collection consists of ornamented and illustrated bookplates accumulated by the Art Gallery of Ontario (AGO) Library and Archives beginning in 1969. In that year, AGO librarian Sybille Pantazzi acquired the first group of items now included in the collection, and added to it in 1975 and 1978. The Library and Archives continues to augment the collection.
The bookplates in the collection were chiefly designed for Canadian book collectors, libraries and associations by Canadian, American and other artists from the 19th century to the present day. The collection includes armorial, presentation and other bookplates and 1 leaflet, and comprises various forms of prints such as engravings, etchings and woodcuts. Most of the bookplates have not been used.