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Series comprises materials related to various projects of Michael Bidner, organized by particular art pieces, projects, exhibitions, events, or other artists or collaborators. These records were either organized by Bidner in labelled folders or mixed together as loose files. Subject matter pertains to Artario ’72, Video Water Works art piece, Say Cheese, Trajectory exhibition, Centre for Experimental Art and Communication exhibition, Ian Hutton manuscript materials, and miscellaneous records. Records of the Colour Xerox Papers, Artistamp, Rude, Rag, Adz magazines are also amongst these files. Materials include collage work, copy art, correspondence, sample prints, catalogs, posters, flyers, newspaper clippings, magazine articles, as well as photographs, slides, negatives, and contact prints.

Letters and telegraphs relating to the friendship between the artist, his wife, and the Zacks.

Correspondence with Emilio del Junco, photocopies of reviews, biographical information.

Invoice with accompanying letter for "Bust of Animal".

Correspondence with H.D. Moleworth, London, regarding identification of 2 drawings.

File contains material relating to the Henry Moore Sculpture Centre, including correspondence with John Parkin, William Withrow, R.S. Wattenmaker, etc.; correspondence relating to post-card credit lines; requests for loans of artwork; material relating to the circulation of the Zacks Tribute exhibit; other correspondence.

Correspondence and lists relating to the gift from Mr. Zacks' estate; correspondence re the political situation between Peter Swann and the Board.

Correspondence with the Baltimore Museum of Art, Palma Bucarelli of the Galleria Nazionale d'Arte Moderna in Rome, Les Amis des Musees Royaux des Beaux-Arts de Belgique, etc.

Correspondence with Museo Picasso, Pauline McGibbon, lawyer H.A. Malcolmson, Metropolitan Museum of Art, the Rolland Micheners, Golda Meir, Gallery Moos, and others.

Correspondence with The Ontario Society of Artists and the O'Keefe Centre.