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File contains correspondence with Tony Baker, Astman, and their children Laura and Amy. File contains memos from Tony Baker to his family members.

File consists of newspaper clippings, articles, and related publicity material published in approximately the 2000s, relating to Winsom's professional work and activities. Includes press material relating to the Marilyn Lastman award for excellence in art awarded to Winsom in 2002, the exhibitions A Sign of the Spirit, Iconography of Divination and For My Mother: A Visual Prayer/feast, an artist profile on Winsom, and other projects and activities.

File consists of photographs of a workshop led by Winsom.

File consists of Winsom's photo albums. Includes an album of photographs from Winsom's youth, textile works designed by Winsom, and school workshops led by Winsom.

File consists of Winsom's personal and professional correspondence, predominantly cards and postcards received from friends and family. Includes Birthday, holiday cards, thank you cards, travel postcards, and other correspondence.

File consists of newsletters, articles and other print material regarding organizations and other community efforts that Winsom was involved with. Includes newsletters and other printed material from CARFAC, Canadian Woman Studies (York University), and the Women's Resource Centre (Grand Cayman). Also includes an undated work of writing titled "Systemic Barriers Faced by Black Artists," (1999?), possibly relating to a discussion of the same name in which Winsom was a key speaker, "Coming in from the outside: Winsom's technology of Voudun" by Nalo Hopkinson, and the premiere issue of Possibilitiis [sic], a literary arts magazine, which includes Winsom in the "Editor's thanks" list on page 4.

File consists of records relating to Winsom's exhibitions and other projects, predominantly in the 2000s. Includes promotional material such as brochures and flyers and other ephemera. Includes records relating to The LOMO Project: Toronto is Neighbourhood at A Space Gallery, Omiala: A Festival of New Black Culture (2004), the Spirits of Power art auction, Niagara: Between Time and Place (2000), and others.

Colour photographs used in the project.

Correspondence regarding the protest against the closing of the Canadian Museum of Contemporary Photography.

Correspondence, travel plans, exhibition information and reviews from the exhibit.