Robert Markle's files (series 1-7 + filed material in series 14) were received from Marlene Markle boxed but in no apparent order. Series have been imposed by archivist based on file titles and the scope and content of the records.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Fonds consists of the personal and professional records of Robert Markle, including his correspondence; drafts and published versions of his writings and illustrations; files on various projects, exhibitions, and teaching activities; photographs (both fine art and documentary); and preparatory art works in several media. Fonds is comprised of the following series: 1. Correspondence files 2. Writing files 3. Projects, proposals and other business files 4. Source material 5. Exhibition files 6. Arts’ Sake files 7. Income tax records 8. Published writings and illustrations 9. Publicity material and press clippings 10. Exhibition catalogues 11. Other published material 12. Sketchbooks 13. Works on paper 14. Printing plates 15. Posters and reproductions 16. Three-dimensional works 17. Costume and textile items 18. Audio-visual material 19. Photographs 20. Works by other artists 21. Marlene Markle 22. Personal items 23. Memorial
AGO Credit Line: Gift of Marlene Markle, 2004
Further accruals are expected.
Originally prepared by Amy Marshall Furness, 2003
Uploaded and adapted by Nirvana Chainani, 2019
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
http://ago.ca/sites/default/files/SC076.pdf
Letters from Robert Markle to Marlene Markle may be found in Series 21: Marlene Markle
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of Robert Markle’s “Letters” files of correspondence received, which were filed chronologically by Markle. Series also includes some correspondence files assembled by the archivist. File titles have been taken from Markle’s file labels, except for those in square brackets, which have been supplied by the archivist.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Published
Letters received from Markle's mother, Susan Ross, Gerry McAdam, Claire Reppen, Instituto de Cultura Hispanica, George & Grace Campbell, George Hamilton IV, and others. Assembled by the archivist.
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Published
Letters and postcards received from correspondents including Andy Wainwright, Owens Art Gallery, Graham Coughtry, Karen ___, Krista ____, Gordon Rayner, Ricki Murray, Patrick Watson, Dennis Reid, and others. Some unsolicited letters re: Lightfoot article in Macleans. A few copies of sent letters. Note: letters from Coughtry in fragile condition.
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Published
Letters and postcards received from Peter Stollery during his travels in Europe. Assembled by the archivist.
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Published
Get-well letters and cards relating to a motorcycle accident involving Robert Markle
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Letters and postcards received from Arthur Keinberger, Laura Berman, Andy Wainwright, and others. Some correspondence re: possible Gordon Lightfoot book by Markle. Some copies of sent letters.
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Letters and postcards received from Suzy Patterson, Patrick Watson and others. Ontario Arts Council grant application material. A few copies of sent correspondence.
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Letters and postcards received from Joan Murray, Robin Masyk, Andy Wainwright, Patrick Watson, Libby Bowden / Line Management Services, WEA Music of Canada Inc., and others. Some copies of sent correspondence. Notes toward a letter to government re: cultural spending cutbacks.
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Letters and postcards received from Andy Wainwright, Hank Bull, Three Schools, Georgian College, Patrick Watson, and others. Some copies of sent correspondence.
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Letters and postcards received from Canada Council Art Bank, Edward Grogan, Jeanne Parkin / Art in Architecture, and others. Copy of letter from Graham Coughtry to Avrom Isaacs. Some copies of sent correspondence.
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Letters and postcards received from Suzy Patterson, Andy Wainwright, and others. Exhibition notices for Graham Coughtry and Telford Fenton. Gun registration material.
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Letters and postcards received from Arts for Peace, Nora Pratt / Exile Editions, Scollard Productions, Robert McLaughlin Gallery, Art Gallery of Ontario, and others. Some copies of sent correspondence.
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Letters and postcards received from Gordon Rayner, CAPAC, Patrick Watson, Silent Voice Project, Durham Art Gallery, Robert McLaughlin Gallery, and others. Ontario Arts Council grant package. Press clippings featuring Robert Markle.
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Letters and postcards received from Ecole Publique Gabrielle Roy, Cath Morrissey, Andy Wainwright, Canadian Forum, Hamilton Homecoming '84, Patrick Watson, Durham Art Gallery, Metro Toronto Convention Centre, Avrom Isaacs, and others. Some copies of sent correspondence. Documents relating to the suspension of Markle's driver's licence. Press clippings featuring Robert Markle.
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Letters and postcards received from Restigouche Gallery, Artnica, Cath Morrissey, Patrick Watson Enterprises, Andy Wainwright, University of Guelph, Jan Steel Moffatt, Joan Murray / Robert McLaughlin Gallery, and others. Some copies of sent correspondence.
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Published
Letters and postcards received from John Bruce, Avrom Isaacs, Maggie Mitchell / Tom Thomson Memorial Art Gallery, Gordon Rayner, Ken Lywood, Durham Art Gallery, Andy Wainwright, Patrick Watson, Canadian Artists' Representation Ontario, and others. Some copies of sent correspondence. Canada Council grant application package.
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Published
Letters and postcards received from Durham Art Gallery, Margaret Mitchell / Tom Thomson Memorial Art Gallery, Gordon Rayner, Ontario Arts Council, Andy Wainwright, CARFAC, Mendelson Joe, Society for the Preservation of Wild Culture, John Bruce. Some copies of sent correspondence. Article, Ajay Heble, "The poetics of jazz
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Letters and postcards received from Janet H. Stevenson / University of Western Ontario, Gordon Rayner, Art Gallery of Hamilton, Whitney Smith / Society for the Preservation of Wild Culture, Mendelson Joe, Sandy Philp, Andy Wainwright, and others. Some copies of sent correspondence.
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Published
Letters and postcards received from Avrom Isaacs, The Studio, Durham Art Gallery, Gordon Rayner, Olivia Ruth, Mendelson Joe, and others. Copies of CARFAC Copyright Collective booklet; Workseen (Vol. 1, No. 4, March 1990); Tom Thomson Memorial Art Gallery, Emptiness, 1990. Draft of A Possible Survival Plan for Temagami by Diane Pugen and Rick Carlaw.
Open
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of unpublished manuscript, typescript and computer printout writings by Robert Markle, including elements of journalistic writing, fiction, poetry, stream of consciousness, letters and journal-writing. Unless otherwise indicated, writings have been filed by Markle, usually according to topic or the nature of writing. File titles have been taken from Markle’s file labels, except for those in square brackets, which have been supplied by the archivist. Series also includes a sketchbook containing manuscript writing by Markle (and others?), with occasional pen drawings.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Published
Notes and drafts of screenplay for "Iroquoian Confederacy", apparently intended as a Heritage Minute program. Copy of Council Fire: A Resource Guide (Brantford: Woodland Cultural Centre, 1989)
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Notes and drafts
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Drafts of article re: stereo equipment / performing / AJB / Carnegie Hall. Related to material in folder 5-8.
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Drafts of article
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Drafts of various articles, titles or first lines as follows: "Chips and Gravy", "the up and down challenge
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Drafts for review of Tom Wolfe's The Painted Word
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Drafts of article re: favourite records. Related to material in folder 5-3.
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Drafts of article re: greasy spoon restaurants, fast food. Photographs and drawings for illustrations
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Notes and drafts re: travel to visit Michael Sarrazin
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Copy of invoice to Toronto Life re: drive-in movie article
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Draft of "The Radio Show" / Jack Farr / Andrea Marantz
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Drafts of article re: artist model "Virginia"
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Drafts of article re: hockey
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Notes, prose and poetry, stream of consciousness writing (3 cm)
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Manuscripts of poetry collections by Andy Wainwright; correspondence between Wainwright and Markle re: publication, illustrations, design; correspondence with George Laszloffy, editor at Prentice-Hall
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Draft writings
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Drafts of article (fiction?) re: artist on Draper Street
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3 computer printout copies of essay "On Portraiture"
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Computer printout of article re: Butch (a Budgerigar) - by Patrick Watson? *contains floppy disk, 3
Open
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of Robert Markle’s correspondence, notes, and other documentation for various artistic and other kinds of projects, including public mural & sculpture commissions, art sales, Markleangelo’s restaurant, the “Something Brewing” program, Artists Jazz Band trip to Paris, studio rentals, government grant applications, and Markle’s employment as an instructor at the University of Guelph. Files typically contain correspondence, receipts, leases, notes, and similar records. Some project-related files contain sketches and diagrams relating to art work. Material has been filed according to project by Robert Markle, with some additional files assembled by the archivist. File titles have been taken from Markle’s file labels, except for those in square brackets, which have been supplied by the archivist.
Further accruals are expected.
Published
Notes on possible painting subjects, titles, ideas. Also contains sketches (predominantly in pencil), mainly of female nudes
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Equipment list, diagrams of completed (?) whirligigs, notes and sketches (in pen and pencil) for whirligig ideas
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Photographs, including images of Markle with stripper's shoe, cutouts of Marlene, contact print frames on 2 collage sheets (*extremely fragile condition, rubber cement has decayed) [reproduced in The Isaacs Gallery at the Owens Art Gallery], mockup of page (?) featuring photos of collage of Marlene cutouts
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Proposal description, documentation and correspondence regarding sculptural work for engineering complex at the University of Calgary. Ink sketches.
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Proposal description, documentation and notes regarding mural and sculpture competitions in Owen Sound, Toronto City Hall, and Guelph (Macdonald Stewart Art Centre)
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Sketches for mural at Freiburger's grocery store in Mount Forest, Ontario. Plan of external elevation of building.
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Copy of sent letter & notes regarding Markle's paintings "Teaser Fa
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Notes on paintings sold to Kelly Green at Canadian Antiques & Art
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Correspondence with Joan Murray / Robert McLaughlin Gallery relating to chapter on Markle; drafts of chapter
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Notes, copies of sent invoices (by Markle), purchase orders from J. Walter Thompson Company Limited
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Original and photocopies of design for "Boffo Art Studios" with Markle
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Notes & documentation of Robert Markle's McGregor Socks sign in the Toronto Eaton Centre
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Notes, sketches and price quotes relating to commission of public mural in Ontario government building, Hamilton
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Catalogue for Barbour clothing
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Records of Artists' Jazz Band trip to Paris, including letter from Canada Council and documents relating to itinerary (receipts, brochures, notes)
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Letter and copies of register re: Markle's status
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Notes, correspondence, sketches and diagrams relating to commission of neon wall sculpture / mural at Metro Toronto Convention Centre.
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Press folder containing photographs of art works, description of art works, Markle CV, general information relating to Metro Toronto Convention Centre
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Legal agreement for art commission, brochure, ceremony program relating to Markle's neon wall sculpture / mural at Metro Toronto Convention Centre
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Notes on art course taught at Guelph University, copies of class handouts, correspondence relating to administration of course
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Leases, correspondence, memos to tenants regarding Markle's rental of studio space at 109 Niagara Street, Toronto
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Correspondence, copy of application for off-reserve housing loan
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Correspondence and other documentation relating to various art projects and public competitions. Copies of letters of recommendation sent by Markle on behalf of students.
Open
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of photographs, postcards, newspaper and magazine clippings, and original sketches collected and filed by Robert Markle for their inspirational value or personal importance. Many of these files are titled “Good Stuff” or simply “Stuff”. Some additional files have been assembled by the archivist from similar material which had not been filed.
Further accruals are expected.
Published
Photos, clippings, sketches, exhibition invitations; dustjackets designed by Markle (Patrick Watson: Zero to Airtime and Robert Kroetsch, ed., Creation); Artists' Jazz Band poster; tickets for Beautiful Big Bob Benefit Bash, etc.
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Photos, including of Artists' Jazz Band; Robert Markle's Definitive Book List; ephemera
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Ticket & brochure for Artists' Jazz Band concert at The Kitchen, New York; Rayner Coughtry Markle exhibition pamphlet from National Gallery of Canada; photos, clippings, drawings, ephemera
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Artists' Jazz Band exhibition pamphlet, Signatures in Time; Artists' Review vol 3 no 7; clippings, sketches. Markleangelo's napkin & coaster
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Unlabelled folder. Photos, clippings, hand-drawn jigsaw puzzle; birthday card from (and made by) Catherine [Morissey]; exhibition invitations
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"Ben Wicks" style sketches (by Markle?); postcards; clippings
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Postcards, drawing by Catherine Morissey, correspondence re: sculpture competition at Macdonald Stewart Art Centre, Guelph
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Note on writing piece re: photographs
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Art clippings filed together by Markle.
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Matisse illustrations clipping; brothel brochure from Las Vegas with Annie Ample button. Assembled by the archivist.
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Reproductions of art work (postcards and magazine clippings, etc.) filed together by Markle
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Reproductions of art work (postcards and magazine clippings, etc.) filed together by Markle
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Framed black & glitter g-string and drawing of this
Open
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of lists of art works, correspondence, mailing lists and press clippings relating to a number of exhibitions of Robert Markle’s work held chiefly at The Isaacs Gallery and at other locations in Ontario. Material has been filed according to exhibition by Robert Markle.
No further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Published
Correspondence re: exhibition. Issues of Artists' Review
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Markle's lists of invitees, lists of art work titles, reviews
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Diagrams of paintings, lists of titles, reviews
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Photocopy of guestbook, exhibition invitation, reviews
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Diagrams of paintings, lists of titles, notes of appreciation
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Photographs of Markle and woman's foot; lists of invitees and titles, invoices for framing
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Exhibition invitations, reviews
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Photographs of Markle tracing woman's legs, exhibition invitations, notes of appreciation, lists of titles
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Correspondence regarding exhibition at Thunder Bay Art Gallery August 11 - October 1 1989; loan agreements; "Statement: The Painter and His Model"
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Gallery consignment records
Open
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of records relating to Robert Markle’s participation in the creation of and teaching at the independent visual arts school “Arts’ Sake” in Toronto. Records include notes on curriculum and on the concept of the school, and promotional material. Series also includes Markle’s notes on the New School of Art, ca. 1977.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds
Published
Curriculum notes, "Robert Markle's Definitive Book List", list of recommended music, other notes
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Notes on "policy & philosophy", job descriptions, correspondence relating to school
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Documents relating to Wintario grant; clipped newspaper ads for school and sample stationery; documents relating to foundation of school and formation of its Board of Directors
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Markle's essay on art education; board meeting agendas
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Correspondence and board meeting agendas, proposal and feasibility study for Arts' Sake Monte Carlo evening, promotional material
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Agendas and documentation of board meetings; various proposals re: administration of school; correspondence re: board activities; notes.
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Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of Robert Markle’s income tax returns for each year in the date range indicated. Most tax returns include sales receipts of art works from The Isaacs Gallery.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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File contains Robert Markle
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Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of copies of publications featuring writing or illustrations by Robert Markle, including magazines, literary journals, poetry collections and novels. Frequently-appearing periodical titles are Toronto Life, Macleans, Canadian Magazine, and Imperial Oil Review. Some press clippings of newspaper articles by Markle are also included, as is an exhibition notice designed by Markle for The Isaacs Gallery.
Further accruals are expected.
Open.Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of press clippings, exhibition invitations and other promotional material relating to Robert Markle’s career and collected by the artist. Series includes the contents of four scrapbook binders (1960-64, 1965-66, 1967-72, 1973-) assembled by Marlene Markle and containing press clippings, exhibition invitations, small catalogues, and some correspondence. Series also includes a bound volume entitled “Research Material on Robert Markle” compiled by Jim MacCammon & Associates and containing biographical information including a CV and press clippings.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of catalogues for group and solo exhibitions featuring Robert Markle’s work.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of books and exhibition invitations from Robert Markle’s collection which do not fall into other series. Series includes exhibition catalogues for Richard Gorman and John Meredith, books on beer and brewing, a booklet on education in Creemore (Ontario), Gordon Lightfoot’s autobiography, and a number of exhibition invitations for artists other than Robert Markle.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of 7 sketchbooks containing pen, pencil, charcoal and ink drawings by Robert Markle. 5 of these have been numbered by Marlene Markle, who provided dates and contextual information for these items. Sketchbook #1 also contains work by Graham Coughtry and Gordon Rayner.
Further accruals are expected
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of two-dimensional works on paper by Robert Markle, including drawings, paintings, prints, and cutouts. Series includes large-scale cartoons for whirligigs, small paper works (including cutouts), folder of sketches, and greeting cards designed by Markle.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of printing plates used for etchings by Robert Markle.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of examples of poster art by Robert Markle, as well as other posters closely related to his career.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of three-dimensional works by Robert Markle, including maquettes for public sculpture projects and competitions.
No further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists primarily of items of clothing designed or decorated by Robert Markle. Includes a denim suit embroidered by Markle; 3 sports t-shirts and 2 baseball caps designed by the artist for the UIC Flyers; 1 t-shirt with painted design by Robert Markle; a baseball cap with “Red Man” tobacco logo; and a baseball cap with painted design of a nude woman. Series also includes a ripstop nylon banner designed by Robert Markle and sewn by Marlene Markle.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of films, a video and audio cassettes by or featuring Robert Markle
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Additional photo documentation of Robert Markle, including images of his studio in 1990, is in the collection of John Reeves, photographer. Please contact the archivist for further information.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of photographs by Robert Markle or documenting Markle’s life and work. Series includes a number of Markle’s photographs of nudes, similar cutout photographs and photocollages. Other photographs and snapshots are by several different photographers.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of art items made by other artists for Robert Markle, or collected by Markle. Includes items by Graham Coughtry, Gordon Rayner, and Michael Snow.
Further accruals are expected
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of letters from Robert Markle to Marlene Shuster before their marriage, postcards from Robert’s trip to Paris in 1978, and gift items made by Robert for Marlene. Includes the Markles’ marriage certificate.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of personal items belonging to Robert Markle, including his artist’s palette; a card wallet; and two passports.
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.
Robert Nelson Markle (Hamilton, Ontario, 1936-Holstein, Ontario, 1990) was a Canadian artist, writer, educator and musician. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.
Published
Series consists of letters of condolence; obituaries and printed tributes; a photograph album and guestbook created at Robert Markle’s birthday memorial party; and other memorial tributes
Further accruals are expected.
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Copyright of material in this fonds is held by the heirs of the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission for the reproduction of any part of the fonds.