Identity area
Reference code
Title
Date(s)
- 1967-2012 (Creation)
Level of description
Extent and medium
Ca. 676 photographs
1291 prints : electrophotographic and other processes
9 matrices for prints
5 linoleum blocks
1 laminated photograph: 1x1 m
7 cm of additional graphic material
Note: photographs include photoprints, Polaroid prints, negatives, and contact sheets.
Additional graphic material includes range of material such as layout designs, collages, and 2 drawings.
Context area
Name of creator
Biographical history
Barbara Astman (1950- ) is a Toronto-based artist who has worked in a wide range of photographic and mixed-media formats. Born in Rochester (NY), Astman was educated at the Rochester Institute of Technology School for American Craftsmen and, after moving to Toronto in 1970, the Ontario College of Art. She was a pioneer in the field of colour xerography, and her practice has included a mix of camera art, new media, sculpture and light projection installations. Thematically, her work has explored issues of identity, history, memory, systems of representation and gender perspectives, often involving her own body as a subject. She has executed a number of public art commissions for clients including the Calgary Winter Olympics, the City of Ottawa (St. Laurent Complex Recreation Project), Hayter Street Developments (Bay/Hayter Condominiums, Toronto) and Cadillac Fairview Corporation (Simcoe Place, Toronto). Astman is now a professor at the Ontario College of Art and Design in Toronto, where she has been teaching since the mid-1970s. She is represented by the Corkin Gallery. Her work is found in prominent public collections including the National Gallery of Canada, The Art Gallery of Ontario, The Bibliotheque Nationale (Paris, France), and the Victoria and Albert Museum.
Archival history
Immediate source of acquisition or transfer
Content and structure area
Scope and content
Series comprises test prints, experiments with processes and media, and other experimental work by Barbara Astman from throughout her career. Many items in this series are intimately related to finished work by the artist, but are not considered actual works of art.
Accrual consists of xerox (electrophotographic) prints created by Barbara Astman and photographic and print components of those works.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
Language of material
- English