Identity area
Reference code
Title
Date(s)
- ca. 1970 – 2013 (Creation)
Level of description
Extent and medium
,275 photographs: b&w and col. negatives; 35 mm or 10 x 12 cm or smaller
109 photographs: b&w and col. contact sheets; 25 x 30 cm or smaller
156 photographs: b&w and col. prints; 25 x 30 cm
105 photographs: col. diffusion transfer prints; 9 x 10.5 cm
ca. 92 acetate overlays: b&w; 25 x 30 cm
23 photographs: b&w transparencies; 27.5 x 30 cm or smaller
3 prints: col.; 27.5 x 28 cm
21 prints: b&w and col; 61 x 231.5 cm or smaller
7 prints: 66 x 98 cm
5 prints: 33 x 98 cm
Context area
Name of creator
Biographical history
Barbara Astman (1950- ) is a Toronto-based artist who has worked in a wide range of photographic and mixed-media formats. Born in Rochester (NY), Astman was educated at the Rochester Institute of Technology School for American Craftsmen and, after moving to Toronto in 1970, the Ontario College of Art. She was a pioneer in the field of colour xerography, and her practice has included a mix of camera art, new media, sculpture and light projection installations. Thematically, her work has explored issues of identity, history, memory, systems of representation and gender perspectives, often involving her own body as a subject. She has executed a number of public art commissions for clients including the Calgary Winter Olympics, the City of Ottawa (St. Laurent Complex Recreation Project), Hayter Street Developments (Bay/Hayter Condominiums, Toronto) and Cadillac Fairview Corporation (Simcoe Place, Toronto). Astman is now a professor at the Ontario College of Art and Design in Toronto, where she has been teaching since the mid-1970s. She is represented by the Corkin Gallery. Her work is found in prominent public collections including the National Gallery of Canada, The Art Gallery of Ontario, The Bibliotheque Nationale (Paris, France), and the Victoria and Albert Museum.
Archival history
Immediate source of acquisition or transfer
Content and structure area
Scope and content
Series consists of photographs and related graphic materials produced as part of the preparatory material for Barbara Astman’s works.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
Language of material
- English